The First Time I Died

This is an episode from my cancer memoir.

All of our lives we know we’re going to die. But then it becomes a reality, not a hazy, distant concern. When I heard those words from a physician — you have cancer — death became a reality.

Suddenly, Death sat on the seat next to me as the train hurtled me home. My encyclopedia of useless information — I speak of my brain — paged through the Death entries on file.

Henry James said, “So here it is come at last – the distinguished thing.”

Hunter S. Thompson

There’s that quote often attributed to Hunter S. Thompson: “Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming ‘Wow! What a Ride!’ ”

And again, from Woody Allen: “Life is full of misery, loneliness, and suffering and it’s all over much too soon.”

True that, Woody. 

And I would die in a distinctly unglamorous way: death by asshole. How fitting.

It wasn’t pain that I feared. If I was going to die this way, I knew that it would be in that haze of which I spoke — a tissue of medication and incoherence into which i would slip. It was not the act, but the aftermath — of being gone, of being so totally absent — that I feared most.

And I believed,  in some way, I’d been there before: I’d visited death.

The first time I died was Thanksgiving Day in 2001. Nicole and I were married that July and she was already pregnant by fall. She wanted to spend the holiday with her father, who lived in Santa Fe, so we loaded up Savannah, then five, and my daughter Sarah, then 21, and her boyfriend, Ryland. Jack was our silent passenger, deep within my wife’s belly. Thinking back, that’s probably the only time that wonderful kid has ever been silent.

It was our first flight since the September 11 terrorist attacks and we were all a little anxious, but after eye-balling shady passengers for four hours and planning to neutralize ruffians with my devastating choke-hold, we landed without incident. Nicole’s father, Danny Cisneros, picked us up at the Albuquerque airport and drove us to his condo in Santa Fe.

Danny and his roommate Mark were preparing Thanksgiving dinner for a significant portion of Santa Fe’s population.

We got to his place Wednesday evening and discovered he already had two or three dishes going, the turkey readied to cook all night, and enough wine to supply a week’s worth of Roman orgies.

We were tired, so I had a couple beers and went to bed. Since Nicole was pregnant, she didn’t drink, and snuggled with Savannah in our guest-room double bed.

I don’t like bodies poking me at night, so I didn’t sleep much and finally got out of bed around 5:30 on Thanksgiving morning. Danny was already in the kitchen. The turkey was done, the yams were ready and he was working on oyster dressing.

My Nuclear Green-Bean Casserole in all of its glory

My contribution to holiday meals was my Nuclear Green-Bean Casserole. This is not your father’s green-bean casserole; its key ingredients are sour cream and cheese. I put that together and had it ready for the oven before the guests arrived. (See the recipe here.)

Gradually, the house awoke. Mark was a church organist and he took Sarah and Ryland to services, because actors Val Kilmer and Daryl Hannah attend the church and Sarah wanted to stargaze. She came home afterword and reported that Kilmer attended services dressed as a pilgrim.

Everything was more or less ready by late morning. Guests were expected around one o’clock.

“I’m all tired out,” Danny said. “I think I’m going to go lie down for a bit.”

We didn’t see him for another 24 hours.

The friends began arriving. I’d met most of the guys when they’d come to Key West for our wedding, so I wasn’t my usual socially awkward self. Nicole is one of those people with an overabundance of the hospitality gene. She was knee deep in an uncomfortable pregnancy, but still turned on the immense charm she reserved for company.

The Ortiz Mountains

Friends kept showing up with desserts. Some assembled in the living room and others drifted to the large back deck, which had a beautiful view of the Ortiz Mountains.

Danny’s friend Roger brought two Pyrex dishes of brownies. I’d already had a few beers, so my judgment and manners were impaired.

Roger set down one of the trays near me in the living room. There wasn’t a huge rush for it, so I began eating brownies in my regular style — using my hand as a backhoe and regarding the brownies as earth in need of removal.

I gobbled a few delicious scoops when I heard a noise from above. I looked up the stairwell and saw Nicole at the second floor landing, shaking her finger at me and mouthing stop.

“You know those are loaded, right” Roger asked, amazed at my lightning-quick excavation of his brownies.

“Oh yeah?” Another scoop.

“I put Marinol in them,” he said.

“I love Marinol,” I said. “Danny gives me some when I’m stressed or can’t sleep.” Danny and several of his friends had prescriptions for this form of medical marijuana which comes in burgundy-colored spheres the size of BB’s.

“Well, slow down,” Roger said. “I used a whole bottle.”

“Really?” I mumbled as I shoved in another handful of brownie.

“That’s 60 tablets, you know.”

But I was oblivious. Sarah and Ryland went to work on the other tray of brownies and soon we were all fairly high — able to function, but in the zip code of fucked up.

By early afternoon, dinner was getting cold and most of the guests had arrived. Still no Danny.

Mark went upstairs to check on him. “He’s still breathing,” he reported, “but I don’t think we’re going to see him the rest of the day. He is out of it.” He clapped his hands, then rubbed them together. “Let’s eat!”

Danny and Mark had set up tables on their back deck, out in the open, and had enough chairs to seat 20 or so.

It was cold out, but space heaters and body heat warmed us, and we enjoyed the stark sunlight and mountain view. We all held hands as Mark led us in grace, then we started the circulation of the dishes, including a platter the size of a Goodyear on which Nicole had rendered the huge turkey into neat slabs of white meat.

Of course the dinner was perfect. Danny was a superb cook and everything was delicious. He was inside, passed out on his bed, missing the appreciative mass of friends and family enjoying the fruits of his labor.

I collected compliments on my artery-clogging casserole. I wanted to impress Danny with it — still in that eager-to-please new son-in-law period — but he was, according to Mark, unlikely to wake.

I was next to Nicole, with Savannah on her other side. Sarah and Ryland faced us from the opposite side of the table.

Then my life stopped.

I became aware of the quiet. Everything stopped, but of course it didn’t.

Conversations muted. I looked at Sarah, who’d begun crying. Yet I could not hear her.

It was me; I’d gone quiet.

But it wasn’t me; I was watching me, yet I was still there.

I was mute, stock still, my face flushed.

I’d never seen Sarah cry so hard, not even when she was a baby. Ryland held her, but rather than burrowing into his chest for comfort, she watched me, her body jerking with sobs.

What followed was unspoken. There was no conversation, because we didn’t need words. I felt a presence.

Everything was burned out, like an over-exposed photograph. Only the high contrast remained. There was a strong, beautiful light and despite the chill of November in the mountains, I was warmed and cocooned.

Of course there was light — a stunning beautiful light, more than the brightest sunlight, utterly enveloping.

Come. There was no voice, but I heard it.

I can’t. Whatever it was, it heard my thoughts.

Yes.

No, I can’t.

But it’s time.

I won’t leave; not now.

A silent negotiation continued.

There was no time.

Everything had stopped.

I had no idea who or what I was talking to.

I felt a sudden determination to push back. This is not it, I said without speaking. I’m not done.

I refused to leave. I looked across the table at my firstborn, heaving with sobs. And I thought of the little one, tiny as an acorn, in the body of the woman next to me.

I turned to Nicole. Unlike Sarah, her face showed no concern. Neither did Savannah’s, but after all, she was five, chowing down on my life-changing casserole.

I turned to Nicole. In a calm steady voice, I said, “I think I’m dying.” I put my hand on my chest, figuring if I covered my heart, it would soothe its pain. Its pace was accelerating, like a roaring engine.

“You’re not going to die,” she said.

“Please.” Remarkably, still calm. “Call 911.”  I was determined to push back. Maybe this voice or this presence was a test. Maybe my commitment to life was being tested and I needed to show how I could or would respond.

“We don’t need to call 911,” Nicole said. She looked annoyed, not concerned.

Come. It was a persistent presence. If the presence had a gender, it was female, kind but firm, like a teacher. But I pushed back. Still, there was the message: It is time to go. Do as we say. Let it all go.

No, I won’t. I know you want me to, but I can’t. Not now. I can’t leave them.

Part of me was stunned by the simple beauty of what was happening, that I was in negotiation with something or someone — this presence. Was this an angel? Was I pushing back on an angel? For a person of wavering faith, I found comfort in this, even though I was fighting against it.

I gripped the arms of the wrought-iron chair, scooted back and pulled myself up. The noise of the chair on the back deck sounded as if it came from blocks away, not beneath me.

Sarah was still crying. “Call 911,” she told Nicole. “Can’t you see he’s dying?’

“He’ll be all right.”

I stood weaving for a moment, then the sound of the other conversations on the porch resumed, as if someone gradually turned up the volume. I slid open the screen door and staggered into the living room. The rest of the guests out on the back deck were unaware I was dying.

I crossed the living room like a deckhand on rough seas, and collapsed head first in the half-bathroom next to the fireplace. I was face-down on the rug, my lower half jutting into the living room.

I flashed back to childhood: When I was a little boy and felt sick at night, I’d poke my father awake, inform him of my condition, then crawl into my parents’ bathroom and curl up on their rug for comfort. Something about being so close to my mother and father, on the warm green terrycloth rug, made me feel secure and invulnerable.

Wonderful symmetry, I thought, as I burrowed my nose into Danny’s terrycloth. I begin and end on a bathroom floor.

During long pockets of silence, the laughter from the guests out on the back deck disappeared. It didn’t, of course, but for me, all sound was gone.

I continued my silent negotiation with the presence that had come for me. I expected death at any moment.

Someday, I argued, I know it’s part of the deal, but not now. Please —  not now. I can’t leave them. I need to get the children to adulthood. And now there’s my acorn, and that acorn is going to need me.

Later, Nicole and I argued about this. I contend that I died and came back. “You’d just never been that high before,” she said. But I’m certain that I died and talked my way back into living. I made a deal to buy more time.

How else to account for my hour bathed in stark, white light? It might have looked as if I’d passed out on the bathroom floor, but that wasn’t me. I wasn’t there. I was away, negotiating for my life — for more of it, at least.

I gradually came back but didn’t move, so comfortable was I in my terrycloth cocoon. Like a good boyfriend, Ryland carried Sarah upstairs and held her hair back while she bent over the toilet, vomiting. Savannah appeared at her side, in her red party dress.

“I think Daddy’s dying,” Savannah said.

“In that red dress, she looked like the devil,” Sarah told me later. She also told me that she believed I died. She said I’d turned white, my eyes emptied, and that I left. She could feel me leaving and was certain she was watching her father die. That’s why she’d burst into tears.

Back on the floor of the bathroom, with with my ass end sticking out into the living room: I couldn’t move, but I could hear people arrive:

“Happy Thanksgiving! Where’s Danny?”

“He’s passed out upstairs.”

Then they’d see my fat ass sprawled in the living room. “Who’s that?”

“That’s his son in law.”

The blessing here was that Danny slept through until the next morning. He didn’t witness this episode or the prolific vomiting that followed. Small blessings. He did, however, miss the casserole.

Was that death, a quiet slipping away into nothingness, bathed in bright light? As I rode the train home that night after hearing those three little words, I remembered dying, and what it felt like.

All aboard?

Was life just a cruel joke — a pleasure palace until it’s suddenly taken away? I remembered that quote from Richard Farina: “When you’ve walked a little with death, you learn to court it, play with it, defy it if you choose.”

I hadn’t walked with it, but I had negotiated with it in the shadow of the mountains. I don’t know that I won that argument, but the presence left and I remained.

It was the nothingness that worried me. What is it about death that bothers me? Probably the hours. To suddenly not be, for there to be nothing — maybe that was the real hell. The world would carry on and had it really mattered that I’d been here?

I’d be just another ex-parrot. I’d procreated and my children would remember me and, I hoped, miss me. As a teacher, I hoped I’d affected some people along the way, but probably most students thinking back on their college days wouldn’t remember my name.

So death was on the seat beside me. It came for me a second time. As I faced it, I feared the nothingness and the eternal void. I would be gone and who knew, beyond the beautiful light, what awaited.

An Ex-Parrot

This is an excerpt from my cancer memoir.

The train was so loud squeaking into South Station that I didn’t hear my phone ring. I had a short layover until the transfer to my homeward-bound line, so I jostled through the crowd, toward the CVS Pharmacy. Maybe I’d score some trail mix or yogurt-covered raisins. I needed something to tide me over until dinner.

It was a Friday, with a  chilly pre-Christmas weekend yawning before this mass of humanity in the train station. The place was packed. In addition to the usual horde of commuters hurrying to the ‘burbs for home, hearth and highballs, there was a gaggle coming into the city for late-afternoon Christmas shopping and dinner. In the terminal’s huge main hall, a brass band bleated carols.

I pulled out my phone, hoping to blend in with the lemming-like masses holding phones in front of their faces. That’s when I noticed I’d missed a call.

No Caller ID, it said.

But I found it in my ‘recent calls’ folder. A missed call from the 305 area code, meaning South Florida or the Keys. The first 305 I could think of was Nicole’s mother. But she was in my contacts, so her name would have come up. Plus, she’d been dead since March. I’d be surprised if she called.

Could be a former student from my Florida days. Maybe it was someone from the Miami Herald, calling for a quote about a rock star who’d just died. Since I teach rock’n’roll history, I’m on speedial for death-beat reporters. Hell, since it’s South Florida, it could be a face-eating zombie.

I don’t answer phones if I don’t see a name on the caller ID, but I decided to call this one back.

“Oh… hello,” came the voice. “Mister, uh, McKeen. Yes . . . this is” — throat clearing — “Dr. Martinez.”

“Hi, how are you? The 305 area code threw me off.”

“Oh, yes, yes. This is my cell phone.” University of Miami Medical School — I’d looked him up.

I was bumped by a guy in some kind of apocalyptic hurry to make the train to Stoughton. No apology, no acknowledgement. Between the general harrumph of the crowd, the brass band and the distorted announcements on the PA system (why do they even bother?), I had trouble hearing Dr. Martinez. I looked around and saw a narrow alcove. They’d built the CVS that fall, and its display windows jutted out from the building, leaving a narrow opening between the side of one window and part of the old granite walls of the original station. It was tight, but I was pretty sure I could fit my controversial girth in the space. I slipped in, plugged my non-phone ear with my finger, and prepared myself for Dr. Martinez.

“Yes, well, I’m afraid I have some news — news that might be, well, I guess you could say it was disturbing news.”

I wondered how old he was. Thirty-three, thirty-four maybe? I wondered how often he’d delivered “disturbing” news. I braced myself, but felt the need to comfort him; he sounded so upset.

“I’m sorry,” said Dr. Martinez, “but I’m afraid it is,  pretty sure, as I had feared . . . you have cancer.”

“I have cancer?”

Three little words.

“Well, it’s not one-hundred-percent confirmed. I want to see you in my office on Monday and then I will get you in to see a specialist at Dana Farber. I’ve already made the call. Can you come to my office on Monday?”

I had two classes on Monday. I’d never been in a teach-or-die situation, but I figured I’d find someone to cover for me.

“Yes, okay,” I said. “I can be there. You name the time.”

“Okay, and I’ve arranged for you to see Dr. Corwin at Dana Farber a week from today. I don’t know him personally, but he’s supposed to be an excellent surgeon.” He went on, trying to give me hope. I’m sure he knew how hard it was to hear: you have cancer.

Probably the standard rah-rah’s of encouragement. Once the surgeon cut out the tumor in my colon, he said, everything would probably be all right. He assured me that cancer isn’t the automatic death sentence it used to be.

I still reverberated from the news: cancer. “Pretty sure” meant yes. I thought I was ready for the diagnosis, but then realized you can never really be prepared for that word — the cancer word.

We set an appointment and when I hung up, there was no more time for trail mix. I stepped out of my alcove — which henceforth I’d think of as the cancer corner when I walked by it every working day  — and slipped back into the mass of humanity.

They had called my train and I walked stiffly toward Track 13. Of course, Track 13. What rotten luck.

I walked in the mob of commuters with the same phrase on repeat in my head: I have cancer; I have cancer; I have cancer.

I thought I was ready for it, but I was not. Sixty years sounds like a long time, but I was greedy. I wanted more. Was this it? Was that it? Am I done? Am I out of time?

Please, Sir, can I have some more?

I was slow and my legs were stiff and unbending. I walked like Gort the killer robot in The Day the Earth Stood Still.

I was late to the train and all of the comfortable and anti-social seats were gone. I sat on one of the bench seats and looked around at my fellow passengers. We all rode this train every day, but I didn’t know anyone’s name. Talking to a stranger on commuter rail was sufficient cause for a restraining order.

A stocky woman with short blonde hair sat next to me. I wanted to say, “Guess what? I just found out I have cancer.”

I looked at the other commuters and played Spot-the-Cancer-Patient. Who else was sick?

Guess what, everybody — I might die soon, so the train won’t be so crowded . . . .

All my life I’d been obsessed with death. At 8, during the Cuban Missile Crisis, I was certain I’d be vaporized. When I saw that “Twilight Zone” episode about the dead astronauts, I was gripped with the fear of imminent demise. I’d imagined so many ways of dying: a car crash, a house fire, a stabbing, a shooting, and the new addition to my gallerie du mort, a terrorist attack.

No one talks on commuter rail. I looked out the window at Boston. The Greenbush line runs along the South Expressway and hundreds of cars poked down the asphalt as we went gliding by.

At least this takes the mystery out of my death, I thought. Now I knew how it would happen. There would be no murder, no pain, no fire, no gallant charge of the light brigade, no self-sacrifice to save the lives of others. I probably wouldn’t feel much of anything. Instead of dying heroically, I’d be shot full of medicine and drift away. I would just . . . end.

I would be an ex-parrot.

I laughed, thinking about Monty Python’s pet-shop sketch. John Cleese returns his parrot to the shop where he got it because he has realized it is dead. Shopowner Michael Palin is dubious, but Cleese convinces him with brutal truth:

He’s passed on. This parrot is no more. He has ceased to be. He’s expired and gone to meet his maker. He’s a stiff — bereft of life, he rests in peace. If you hadn’t nailed him to the perch he’d be pushing up the daisies. His metabolic processes are now history. He’s off the twig! He’s kicked the bucket, he’s shuffled off his mortal coil, run down the curtain and joined the bleeding choir invisible. This is an ex-parrot!

Michael Palin, John Cleese and an ex-parrot

The Monty Python group effectively retired when founding member Graham Chapman died of AIDS in 1989 and at his irreverent memorial service — preserved by YouTube — John Cleese’s eulogy adapted the parrot sketch to Chapman’s death (“he has ceased to be!”) and called his old friend an “insufferable bahstad,” cracking up the church full of assembled mourners. I laughed again. Maybe someone would take the Cleese approach and make people laugh at my memorial.

My memorial — would I have one? And where would I be buried, and would I be alone, a solitary grave at the edge of an old New England cemetery?

The blonde woman looked at me for a moment, sizing me up: another crazy, laughing at traffic. One restraining order, coming up.

I couldn’t get it out of my head: you have cancer. I might just drift off in a haze, but still: I would cease to be.

Again I laughed, thinking about Woody Allen: What is about death that bothers me so much? Probably the hours.

This time, my seat mate didn’t look up, but when a spot opened across the aisle when people got off at the JFK/UMass stop, she lunged for it. She’d obviously written me off as a crazy.

I didn’t get so far as to think about heaven, or an afterlife. I just thought of being gone — of suddenly being absent.

I still felt like a work in progress. I thought of duty to my children and what would become of them. The little ones, the boys, are louder than war. Too much for one parent. Probably too much for six or seven parents. What would become of them?

Would I suffer, and how would I deal with that? What kind of Cancer Guy would I be? I never really believed in Happy Cancer Guy. Hi, everybody! I’m Captain Andy and I have cancer! Let me tell you all about it! I’m too noisy and goofy to be Stoic Cancer Guy. I wanted to be Brave Cancer Guy. Now that it’s here, I wondered if I had the courage to be that guy.

I couldn’t get the grim thoughts out of my head, despite the efforts of Monty Python and Woody Allen. I just thought about the void, about what it would be like to be . . . nothing.

My phone buzzed with a text from Nicole: “Any news?”

“Yes,” I texted back. “I’ll tell you when I get home.”

I’ve Always Been into Death

This is an excerpt from my cancer memoir.

“My family’s always been into death.”

That’s not me talking. That’s the opening line of Lisa Alther’s great novel Kinflicks, one of the key books of my life. I got it new in 1976 and look at it now: raggedy-ass cover, coffee-circles burned into the binding, dog-eared pages and spills here and there. This is an appreciated book. I lent it to so many friends and brought them into the Kinflicks world. (And a few of the apparently used the book as a coaster, a practice I find reprehensible.) Still, this book has been read by many hands — hands of people I loved.

That opening line is followed with the story of how our protagonist, Cissy, was raised in a family that was always talking or thinking about death. “My father, the Colonel, always kept a serving fork on the dinner table in case he needed to perform an emergency tracheotomy.” Great book, as I say.

But that wasn’t my family, even though Dad could have probably performed a successful tracheotomy with a butter knife.

But I was into death. From the time I was in single digits, I had a sense of impending death.

My real obsession with death began on February 7, 1963, a Thursday night. We were stationed at Homestead Air Force Base in Florida, where my father was hospital commander. We’d just survived the Cuban Missile Crisis a few months before. As the southernmost military installation on the United States mainland, we were vulnerable. Those missiles were pointed at us.

I was terrified of death the whole time we were on the brink of nuclear war and imagined being vaporized at any moment. But then it passed. The Americans were eyeball to eyeball with the Russians, and then the Russians blinked.

So I had thought about death a good deal, perhaps more than most nine year olds, but once we realized we were not going to war, my thoughts returned to Mickey Mantle, Al Kaline and Rocky Colavito.

But then came that Thursday night when I saw the “Death Ship” episode of “The Twilight Zone.” Here’s the plot summary, from Internet Movie Database: “An interplanetary expedition from earth finds an exact duplicate of their ship and themselves crashed on the planet they were surveying. Should they stay or risk taking off and crashing?”

The astronauts were played by Jack Klugman, Ross Martin and Frederick Beir. As they debated what to do it occurred to me that I was going to die someday.

Suddenly, life revealed itself to my nine-year-old psyche as a ridiculous spectacle, a cruel and heartless joke.

Why were we brought into this life only to lose it someday? What the fuck was up with that?

When the show was over and I was in my lower bunk — my big brother up top kept the light on, reading Spinoza — I kept pondering the imminence and incongruity of death.

I got out of bed and walked into my parents’ room. I hugged my father and kissed him on the cheek. “I love you, Dad,” I said. Then I solemnly walked around the bed and repeated the ritual with my mother.

I went back to bed and then, ten minutes later, made another trip into the bedroom and repeated the procedure. And then again.

“What the hell are you doing?” my brother asked after my third trip.

“None of your business,” I said, and went to kiss my parents again. Eventually, I fell asleep that night, but the thought of imminent death hung over everything from then on.

Pre-teen death wish

There came an afternoon when visiting my grandparents in Ohio when I drank two milkshakes back-to-back and suddenly felt so bloated that I would suffer death by chocolate.

Another time, Tony Ong and I wrecked our bikes in traffic — I figured for sure I’d be run over by a Buick Riviera and dragged to my death.

Around that time, I remember discovering a bump on the back of my neck. This was it: the tumor that would kill me.

For years, I kept the existence of this nodule of doom to myself. Watching television, my hand would absently go to the back of my neck, to check on it, to make sure it was still there, always hoping it was gone.

I worried about this thing for about ten years until one night, while visiting my aged Aunt Inez and Uncle Cecil, I decided to ask Dad about it. I guess if I was going to pass out dead over Aunt Inez’s beef stroganoff, it would be nice to get advance warning from my father.

“Dad? Could you feel this thing for me?”

He reached around my shoulder and, with only a little guidance, found it.

“That?” he said.

“Yeah. Is it … a tumor?”

He looked at me and started to smile, but then he saw the worry on my face.

“No son,” he said. “It’s just fat — a little ball of fat. Nothing to worry about.” He patted me on the shoulder and we went in for dinner.

Another narrow escape. I can still feel that bump on my neck, by the way.

I always imagined some new way to die: dealing with a fireball on a DC-10 at 30,000 feet; getting skull-fractured by a young hoodlum tossing a bowling ball off an overpass; getting trapped by an inferno in a hotel while in Omaha for a boring academic conference.

Fire was my great fear — so many of my death fantasies involved that, watching my skin catch fire and turn to crust. A good friend married to a firefighter told me not to worry about that, though. “The smoke’ll get you first,” she said.

For someone who drove so much — long, madman drives between Florida and Indiana when I’d steal long weekends to go visit my older kids when they were little — I had a library of death scenarios from the highways. I certainly saw enough accidents and had a lot of close calls. One time, a guy intent on suicide jumped in front of my car but my cat-like reflexes (if you knew me, you’d realize that’s funny) allowed me to swerve at the last minute. There’s a herd of deer in the world that would not exist had I not be able to respond so quickly.

And there were all the times I fell asleep while driving. In order to get to spend as much time as possible with the kids, I’d start driving after work, sometimes going straight through — 15 hours, with stops only for urination. Gainesville, Florida, to my ex-wife’s home in Bloomington, Indiana, was 853 miles door to door. Fifteen hours, unless there was a lot of traffic. A long haul by any definition.

I was once awakened by my Goodyears spitting gravel on the side of the road. I pulled the car back just before hitting a massive oak. Another time, I was skirting the edge of a shallow ditch in the median of I-24 when I woke. I would sometimes be nearly delirious from fatigue while driving. I’d go forty-five minutes or an hour, on occasion, before realizing I had not given a thought to driving in all of that time. My future was clear: I would become a Georgia highway fatality.

But I’d never thought about that other kind of dying — wasting away under my Hudson’s Bay blanket, too weak to speak, nothing but a bed-soiling burden to friends and famiiy, sentenced to living out my last years in a morass of adult diapers and deep cable. That kind of death wasn’t nearly as dramatic as going down in flames on I-75.

As it turned out, after all of my elaborate visions of death I began thinking I might be taking the slow and agonizing way out.

Forget His Name

When Charles Manson was a boy, his mother traded him for a pitcher of beer. He was fetched home by an uncle and returned to his mother, who merely shrugged. She was a prostitute and a small-time thief who passed trade secrets to her son.

Charles Manson

Manson was jailed for the first time at 13, for burglary. By the time he was in his early 30s, he’d already spent half his life behind bars.

As he was being released from California’s Terminal Island prison in 1967, he panicked and asked the jailer not to turn him out into the world. The guard laughed, but Manson was serious. Prison was the only real home he’d known.

When the lifelong con man hit the streets, much had changed since 1960, the year he had last tasted freedom. It was the Summer of Love and Manson drifted to San Francisco, epicenter of America’s cultural revolution.

This is an earlier version of what became an essay for The Conversation. To read that piece, click on the logo above.

There he found docile flower children — easy marks, even for an inept crook. He adopted the hirsute look of the tribe, recycled some of the Scientology babble he’d picked up in the joint, and started building a “family” of followers drunk on his flattery. He preyed on lost and damaged young women — wounded birds — and made them think they were beautiful, as long as they followed him.

He sought fame. He deserved fame, he reasoned, and he needed to make the world notice him. “His followers had no idea that Charlie was obsessed with becoming famous,” biographer Jeff Guinn wrote. “He told them that his goal, his mission, really, was to teach the world a better way to live through his songs.”

He figured the fastest route to fame was through music. He knew a few chords and could reasonably mimic the peace, love and flowers ethos in his lyrics. If he looked the part and acted the part, he could bask in the fame he felt he was owed.

Dennis Wilson

He brought his “family” of damaged goods to Los Angeles and sent his women to scout for men who could either help Charlie find fame or money. While hitchhiking one day, a couple of the girls found an easy mark: the big-hearted, generous and sex-obsessed drummer for the Beach Boys, Dennis Wilson. He picked them up, took them home for milk, cookies and sex, then left for a recording session. When Dennis returned home in the middle of the night, the girls were still there, along with Charlie Manson and 15 other young women, all mostly nude. For a sex junkie like Dennis, it was paradise.

Manson saw Dennis — and his Beach Boy brothers Brian and Carl — as his entrée to the music business and international fame. Although the group’s star was dimming  by the late ’60s — they were no longer the hip boy band they had once been — it was at least a moccasin in the music industry’s door. Through his time as Dennis Wilson’s roommate, Charlie had gotten to know record producer Terry Melcher, Cass Elliot of the Mamas and the Papas, Neil Young and Frank Zappa.

Click on Manson’s guitar to go to the iTunes playlist for my book ‘Everybody Had an Ocean,’ which features Manson singing ‘Look at Your Game, Girl.’

Convinced he would make Charlie — whom he called the Wizard — into a star, Dennis urged his brothers to record the fledgling singer at the Beach Boys studio in Brian Wilson’s home. Wherever Charlie went, of course, his “family” followed. Marilyn Wilson, married to Brian at the time, had the bathrooms fumigated after every session, fearing the filthy girls were spreading disease. (And they were, though not the kind that showed up on toilet seats. Dennis ended up footing, for the Manson women, what was jokingly referred to as the largest gonorrhea bill in history.

When Dennis’s efforts bore no fruit, Manson glommed onto Melcher, who had produced the Byrds and Paul Revere and the Raiders. Melcher and Wilson introduced Manson to L.A.’s music society, largely through lavish parties at the estate on Cielo Drive that Melcher shared with actress Candace Bergen. At Cass Elliot’s parties, Manson played whirling dervish on the dance floor, entertaining all with his spastic monkey moves.

The Beach Boys’ 1969 album, ’20/20′ featured a song called ‘Never Learn Not to Love,’ which Dennis Wilson adapted from Manson’s song ‘Cease to Exist.’

When Neil Young heard Charlie sing his compositions during a drop-in at Dennis Wilson’s house, he called Mo Ostin, president of Warner-Reprise Records, to urge the boss to give the guy a listen. Young warned him that Charlie was a little out there and spewed songs more than sang him. But still, Young insisted there was something there.

And there was. Manson’s voice was good enough that he had a reasonable expectation of getting a recording contract. His original compositions were good enough to be recorded: The Beach Boys adapted one of his songs into something called “Never Learn Not to Love,” which they performed on the supremely wholesome “Mike Douglas Show.”

Manson’s lyrics, unfortunately, were mostly honky gibberish, bad enough to justify Ostin’s rejection and for Melcher to tell Charlie he couldn’t get him the record contract he so desperately wanted.

But it was too late to stop now. Charlie had drunk from the trough of fame. He mingled with rock stars and thought he was entitled to be a rock star.

The American Dream used to be described thus: Come to America with nothing and, with the great freedoms and opportunity offered by the country, exit life with prosperity. It has also been described as simply the ideal of freedom — of living in a free and robust society, with nothing to impede people but an open road.

At some point, this changed. In the post-war world of abundant leisure and instant gratification, an ethos of opportunity, hard work and the gradual accumulation of wealth fell away, replaced by a longing for instant fame and fortune. Perhaps it was a result of the conspicuous wealth so visible on the new medium of television. Maybe these new celebrities burned so much brighter because their images slipped through the cathode ray into millions of American homes, turning the house into the new movie theater.

Either way, for millions today, the American Dream is simply the delirious pursuit of fame. Ask a school child what he wants and it’s simply to be famous — by any means necessary.

Charlie Manson was an early avatar for this new concept of the American Dream. He sought fame at any cost. He tried to achieve celebrity through music and, when he didn’t reach that goal, he turned to crime. Sure, he would spend 61 of his 83 years in prison. But the cameras rolled, the papers were printed, the books were sold. No one would ever forget his name.

Terry Melcher and Candace Bergen lived at 10050 Cielo Drive before Sharon Tate and Roman Polanski moved in.

 

Manson achieved his goal, becoming so famous that his name replaced those of his victims. The crimes became known as the Manson Murders.

Look to the media today to see Manson’s ideological descendants, thirsting for fame at any cost. Some don’t just risk humiliation, they court it. Remember the early rounds of “American Idol” with jarringly dreadful performances giving the reprehensible “singers” their 15 seconds of fame?

Other, more deadly offspring, could be the boys who shoot up schools and coffee shops and prayer-group meetings. They might be dead, they might have left a trail of destruction in their wake and they aren’t mourned. But like Manson, they are remembered. That’s certainly more than most failed con men can claim.

Unfortunately, Manson achieved his goal: fame. Perhaps the best way to honor his victims is to forget his name.

Recommended reading: I don’t reference it in this piece, but I’d like to mention a great book by Ed Sanders called The Family (Dutton, 1971). This was one of the most important books in my life — not because of Manson, but because it made me want to be a writer. I know the book has had the same effect on a lot of other people. Of course, any dive into literature about Manson includes Helter Skelter (WW Norton, 1974) by Vincent Bugliosi and Curt Gentry. Jeff Guinn’s biography, Manson (Simon and Schuster, 2013) is superb.

In every leaf that trembles

Dylan on stage in 1980 — Fred Tackett at left, Tim Drummond at right.

I finally gave in and bought the new archival set from Bob Dylan.

If you’re not familiar with his Bootleg Series —  since 1991, Dylan has released a multi-disc collection every other year or so that explores the songs left off his classic albums.

In many cases, this stuff left off is not only just as good as the material on the original releases, it is in some cases — “Blind Willie McTell” and “Series of Dreams” come to mind —  superior to songs on  the official releases.

Dylan at the Warfield Theater in San Francisco. Photo by Baron Wolman.

About four volumes back, he began releasing deluxe editions of the Bootleg Series. He did Another Self Portrait (Volume 10, if you’re keeping score) devoted to what had been regarded as a leading candidate for his worst album. This was 1970’s Self Portrait. Greil Marcus’s review of the album in Rolling Stone famously began, “What is this shit?”

Another Self Portrait turned out to be a fascinating rediscovery of the work and was on heavy rotation in my home. There was the standard two-disc Bootleg Series release, but the record label tested the waters with a deluxe version that featured two more discs, including the first official U.S. release of Dylan’s 1969 show with the Band at the Isle of Wight. Dylan, that perverse imp, skipped Woodstock — which was in his ‘hood — and performed  in Great Britain instead.)

The next Bootleg Series release was a full exploration of his Basement Tapes period with the Band (then still known alternately as the Hawks, the Crackers or the Honkies.). Over the six discs of The Basement Tapes Complete, we heard every belch, wheeze and fart and listened to great musicians drilling to the core of American music. It was one of the best purchases I’d ever made. If you got the two-disc abridgment for the casual fan, you really missed out.

With three of his great backing singers

Whoa! Bob was just getting started.

Then came The Cutting Edge (The Bootleg Series, Volume 12), which covered the titanic 14-month period that produced Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde.

The Cutting Edge offered a fascinating look at Dylan’s creative process.

One whole disc was devoted to “Like a Rolling Stone.” The four tracks were separated, so you could hear just Michael Bloomfield’s guitar on one track, Dylan’s voice and harmonica on one, the rhythm section on the other, and the keyboards on the fourth. Man, was that instructive.

Again, The Cutting Edge was available in a two-disc set, but for the Full Bob Experience, you needed the six disc deluxe edition to appreciate the angry majesty of that music.

With Clyde King

I’d long wished the Bootleg Series would explore the most controversial period of his career, the so-called gospel years of 1979-1981. During this time, he released Slow Train Coming, Saved and Shot of Love. I’d heard bootlegs of his performances with the gospel band — real bootlegs, not these official releases — and been in awe of the performances. If ever a period needed review, this was it.

Despite the huge commercial hit he took from an audience that turned away from him for being “too preachy,” Dylan never really renounced his new Christian faith. If anything, he appeared to have found some sort of accommodation between Judaism and Christianity. He just stopped being so overt in his songs. (But the Bible had always played a role in his music. John Wesley Harding, from 1967, was heavily steeped in Christian imagery and lyricism. Scratch dozens of Bob Dylan lyrics and you’ll find Christian references underneath.)

So I was happy to hear that The Bootleg Series, Volume 13 would be devoted to those years. But Holy Shit (and I do mean holy) — then I learned the price tag for the deluxe edition: $174.

With Tim Drummond

I looked over the track list and saw multiple versions of some of his gospel songs — “Slow Train,” “Gotta Serve Somebody” — and convinced myself I’d be able to get by with the two-disc set for the casual fan.

Jesus, was I wrong.

The two-disc set merely whet my appetite. And then God — or somebody — dropped a couple of unexpected freelance checks in my mailbox and so I justified buying the nine-disc deluxe edition of Trouble No More. (Plus, God had dropped the price by $50.)

I’m here to tell you that it was money well spent. This music is impassioned and hypnotic. Dylan sings with such finesse and fire and has surrounded himself with a hugely talented set of musicians. This comes as no surprise. He’d always done that. But these players are largely unheralded in rock history — Fred Tackett on guitar, Tim Drummond on bass — though a few of the players (Spooner Oldham and Jim Keltner) are better known and there are superstar players (Mike Bloomfield and Carlos Santana) on occasion.

But it’s Dylan’s show and no one overshadows him. Well, maybe his backing singers do.

Some fans were put off by Dylan’s sermons between songs. None of these are preserved on the live recordings featured in “Trouble No More.”

Dylan was led to Christianity, in part, by the women he employed to sing behind him: Clyde King, Regina Harris, Mona Lisa Young and Carolyn Dennis, who became his second wife and mother to his daughter Desiree Gabrielle Dennis-Dylan. (He dedicated his 1990 nursery-rhyme album, Under the Red Sky to her: “For Gabby Goo Goo.”)

These gifted singers push Dylan to do some of his best singing on record. We learn — again — about his creative process through the multiple and vastly changed version of some of his songs.

And it was a fertile period for him as a writer. Much of Trouble No More consists of songs he’s never officially released. I’ve had “Ain’t Gonna Go to Hell for Anybody” on bootleg for years, and it’s the kind of song and performance that made me long for a complete exploration of this period of his career. I should have never balked at the price of this set.

Click on the cover to order.

I’ve been playing this non-stop for the couple of weeks that I’ve had it and when I’m not around my stereo, it still plays in my skull. I can’t get enough.

It’s great to hear the various versions of not just “Slow Train” and “Gotta Serve Somebody,” but also radically different takes (with different lyrics) for some of his greatest songs, “Caribbean Wind” and (especially) “Every Grain of Sand.”

What beautiful lyrics:

I don’t have the inclination to look back on any mistake
Like Cain, I now behold this chain of events that I must break
In the fury of the moment I can see the Master’s hand
In every leaf that trembles, in every grain of sand
I gaze into the doorway of temptation’s angry flame
And every time I pass that way I always hear my name
Then onward in my journey I come to understand
That every hair is numbered like every grain of sand 
I hear the ancient footsteps like the motion of the sea
Sometimes I turn, there’s someone there, other times it’s only me
I am hanging in the balance of a perfect finished plan
Like every sparrow falling, like every grain of sand
(C) 1981 Special Rider Music

 

Bob: I’ll never doubt you again. Go ahead and put the deluxe edition of Volumes 14, 15, 16 and 17 on order.

Click on the covers below to order deluxe editions of the most recent volumes in the Bootleg Series.

The human face in Houston

 

This comes from my old pal Ruth Baxter, who is in the middle of it all in Houston.

I was going to contribute a number of sage observations this morning, but my computer froze, and I took that as a sign. So, as succinctly as I can put it, this catastrophe has put the human faces back on our fellow human beings — all kinds of people from all over the country and the world live in this city, and people from all over have come here to help. If you are not part of the effort to help people, and to see the humanity you share with your brothers and sisters, please stop and re-think your strategy. I’m talking in all directions, folks. Love one another. I saw this young guy from Alto, Texas, which is in the Hill Country. He and some friends saw the mess on television, collected a half-dozen boats and hauled them over here … 200 miles or so. Just to help. This guy had to be a Trump voter — accent so thick, so West Texas …  But these guys and hundreds like them are getting people out — black people, poor people, non-English speakers.  They’re saving all these lives. If they hated these folks, they’d just let them die, wouldn’t they? I just wanted you to remember that.

 

Choosing love

From the children of Johnny Cash

Johnny Cash

We were alerted to a video of a young man in Charlottesville, a self-proclaimed neo-Nazi, spewing hatred and bile. He was wearing a T-shirt emblazoned with the name of Johnny Cash, our father. We were sickened by the association.

Johnny Cash was a man whose heart beat with the rhythm of love and social justice. He received humanitarian awards from, among others, the Jewish National Fund, B’nai Brith, and the United Nations. He championed the rights of Native Americans, protested the war in Vietnam, was a voice for the poor, the struggling and the disenfranchised, and an advocate for the rights of prisoners. Along with our sister Rosanne, he was on the advisory board of an organization solely devoted to preventing gun violence among children.

His pacifism and inclusive patriotism were two of his most defining characteristics. He would be horrified at even a casual use of his name or image for an idea or a cause founded in persecution and hatred.

The white supremacists and neo-Nazis who marched in Charlottesville are poison in our great society, and an insult to every American hero who wore a uniform to fight the Nazis in WWII. Several men in the extended Cash family were among those who served with honor.

Our dad told each of us, over and over throughout our lives, “Children, you can choose love or hate. I choose love.”

We do not judge race, color, sexual orientation or creed. We value the capacity for love and the impulse towards kindness. We respect diversity, and cherish our shared humanity. We recognize the suffering of other human beings, and remain committed to our natural instinct for compassion and service.

To any who claim supremacy over other human beings, to any who believe in racial or religious hierarchy: we are not you. Our father, as a person, icon, or symbol, is not you. We ask that the Cash name be kept far away from destructive and hateful ideology. We Choose Love.”

Rosanne Cash
Kathy Cash
Cindy Cash
Tara Cash
John Carter Cash
August 16, 2017

“Not one of us can rest, be happy, be at home, be at peace with ourselves, until we end hatred and division.” – Rep. John Lewis

Thanks to Alan Levy for sharing this with me.

Saving journalism, one newsroom at a time

This fall marks my 40th year as a college teacher. One of the great things about this technology is that it allows me to keep in touch with so many former students. It’s like an illustrated rolodex of my life.

How are you doing? (I’m OK — still rolling with the punches.)

The Alligator newsroom

I approach this milestone with gratitude for having known so many dedicated people. I hope the classes we shared were worthwhile.

“Was it good for you?” (It was for me.)

But I also realize that some of your greatest learning was committed outside of the classroom. So I salute all of you who learned how to be journalists at the
College Heights Herald, the Oklahoma Daily, the Independent Florida Alligator or the Daily Free Press. Working for a campus newspaper is a tremendous experience.

It should come as no surprise that what we do is under attack. People who have committed their lives to keeping news flowing through these arteries of information are being vilified. We’re not enemies of the people. As I’ve always maintained, we’re the heroes, not the villains.

So keeping a student-run press free and independent is vital.
With Evan Katz in the Oklahoma Daily newsroom, 1985

I bring up all of this because I have been asked to alert you to a fund-raising drive for the Independent Florida Alligator. I spent 24 of these 40 years at the University of Florida, and I might be able to reach some people who might not be reached otherwise. (By the way: I’ll also happily try to help raise money for the Herald, the Daily or the FreeP. Ask, and I will do everything I can.)

If you were in my journalism history class — whether at Western Kentucky, Oklahoma, Florida or Boston — you probably heard me read attorney Andrew Hamilton’s statement at the trial of John Peter Zenger in 1735: “You see I labor under the weight of many years, and am borne down with great infirmities of body; yet old and weak as I am, I should think it my duty, if required, to go to the utmost part of the land where my service could be of any use in assisting to quench the flame of prosecutions upon information, set on foot by the government….”

(This Hamilton was not the subject of the musical. That was the other guy.)


And, considering we are in a death battle for the continued existence of free speech, this quote from Thomas Paine’s
American Crisis — always a class favorite — comes to mind: “Tyranny, like hell, is not easily conquered; yet we have this consolation with us, that the harder the conflict, the more glorious the triumph. What we obtain too cheap, we esteem too lightly. ‘Tis dearness only that gives everything its value.”

Some Alligator staffers at a McKeen Christmas party, circa 1988. Left to right, Frank Fernandez, Juan Borras, Jeff Gardenour and Carl Herzog.

I present a statement below relating directly to the fund-raising drive for the Alligator. I urge you to give and, in every way you can, to support the journalism in its myriad forms. To quote Tom Paine again, a little earlier in that same paragraph: “These are the times that try men’s souls. The summer soldier and the sunshine patriot will, in this crisis, shrink from the service of their country; but he that stands it now deserves the love and thanks of man and woman.”

The major forces behind this fund-raising effort are David Dahl of the Boston Globe, Rick Hirsch of the Miami Herald and Aaron Sharockman of Politifact.

Read David Dahl’s note below. If you’re from Western or OU or BU, maybe use what they have done as a model for other fund-raising efforts. We need to stick together.

 ………………………………………………………………………………….


From David Dahl:

I’m writing to fill you in on the Alligator.

As you might have heard, a group of alums and current staffers are working to steady the finances of the beloved college paper and steer it toward a solid future in the digital world.

They’ve expanded the
Alligator board to include Miami Herald Managing Editor Rick Hirsch and Politifact Executive Director Aaron Sharockman; decided to go down to publishing three days a week; and are now turning to our many alums and friends of the Alligator to raise money.

If you’re a friend with me on Facebook, you’re probably quite familiar with the importance of the
Alligator as a training ground for young professionals in journalism, advertising and public relations. You may well have benefited yourself by working there.

Now it’s time to give back. You can make a tax deductible donation to Campus Communications, the 501(c)3 that runs the
Alligator. The Alligator and its core group of supporters are trying to raise $250,000 by next spring to offset the costs of student stipends and advance college journalism.

Yes, that’s a lot of money, already hundreds of alumni and friends of the Alligator have indicated they are willing to help reach that goal.

To donate, you can use the Pay Pal link in the upper right hand corner of the Alligator’s site,
http://www.alligator.org/

If you want more information about the Alligator, you can also fill out an online form to get on a mailing list. The address to sign up is:
http://alligatoralumni.org/.

And of course if you have any questions or wish to discuss this directly, feel free to write for further information. dahl@globe.com.

Thanks very much for your consideration. We need your help!

Travels with Charley (and Jack and Travis)

On the Ring of Kerry in Ireland. Travis, at left, set the timer for the picture and stood on a rock so he’d appear to be tallest. (He nearly is, even without help.) Then there’s Charley and me and Jack.

There was a time when I questioned my sanity. It came as I contemplated a plan I’d had in motion for a year: taking my three adolescent boys on a road trip through Scotland, England and Ireland.

I would be the sole adult. I used the term ‘adult’ loosely, since the person-of-age here is me — not always the most practical guy in the world.

We flew into Edinburgh, rented a car, drove around Scotland and England, then flew to Dublin, rented another car — a nice BMW — and drove around Ireland.

Nice, simple trip. No real plan. Pure serendipity.

Here’s a brief scene from inside the car:

Aside from learning to drive on the other side of the road, everything went pretty well.

The trip  is done now and I think the three weeks we spent together will loom large with me for the rest of my life. I’m not ready to write about it yet; I’m still digesting. But I will post some photographs here today and will post comments (and other pictures) now and again.

It was a long trip — perhaps a bit too long, we all agreed, but could not imagine doing it in less.

Charley at Blarney Castle

It was not hearts-and-flowers the whole time, either. There were some difficult moments.

But you know how … years after you’ve lived a certain day, you come to realize that that day was one of the important ones. That on that day, everything was right and you know why you were here on the earth. I’ve had that feeling before, when I took my Highway 61 trip, and I had it on this trip.

This was time I will always treasure with Jack, Travis and Charley.

So, for now — here are some pictures.

The boys with the stoned Beatles on the Liverpool docks.
The view from Stirling Castle.
It was hard not to have ‘Wild Mountain Thyme’ playing in my head at all times.
With Travis and Charley at the Tower of London
Now when I hear ‘my heart’s in the highlands,’ I know what they’re talking about. This was on the way to the Isle of Skye.
Jack on the Liverpool dock
With the boys at Stonehenge
Crows at Stonehenge
With Jack
Charley roamin’ in the gloamin’.
Charley and Travis engaging in silliness. For some reason, they don’t often smile when their pictures are taken. It’s a McKeen Family trait.
Jack with another roadside attraction in Scotland.
American icons, painted on the walls of an underpass in London.
This made it all worthwhile

The morning watering

I was tending to my flowers this morning and was struck by how beautiful they looked holding the beads of water. Thought I’d share this small moment, which has that intimate vibe of Smile, not the towering grandiosity of Sgt. Pepper.