When a Parent Dies Young

When a parent dies young, the children are left with questions. There is so much we want to know.

My father died when he was 53. I had turned 20 three weeks before.

Charles Lewis McKeen, 1921-1974

I always thought he’d be there in my life, because I saw him as indestructible. So many questions linger, unanswered.

For example: I was conceived when my father was stationed in Roswell, New Mexico. This made me wonder if I was spawned, in part, by aliens. That would explain a lot.

I was in utero when my family – mother, father, sister, brother – moved to Indianapolis, where I was born. I have always been the family oddball, so maybe I do have a little Martian in me. (My brother said that was unlikely. He liked to say I came from Uranus.)

Dad and Mom on their wedding day, 1943.

My father was a deeply respected flight surgeon in the Air Force. My brother speculated recently that maybe we were assigned to Walker Air Force Base in Roswell so that Dad could study the body of a deceased alien. Dad was a great keeper-of-secrets, so who knows.

We like to share stories and conjecture about our father because as the years lumber on, we realize how much we want to know about both our parents.

I’m sitting in a room that contains most of my father’s library, my part of the inheritance.

Mom and Dad in the Florida years, circa 1963

To my right is a reasonable facsimile of all the world’s literature. We have Thucydides, Aristotle, Homer, Plato, as well as the three volumes of The American Language, a four-volume history of technology and The Bible as Living Literature. And so much more.

These shelves contain a pretty good starter set for a new civilization, should we have to establish a colony on Venus someday.

Two shelves of books are bound in calfskin. I want to ask, “Why’d you do that, Dad?” Family rumor is that it was a relaxing home activity for him while he was in medical school. But no one knows for certain.

And there are other questions I wish I could ask, things that would help me understand his life’s narrative.

During the Great Depression, for example: Dad, as I understand it, you and Uncle Richard were the primary support for the family; you kept the McKeens afloat with the pay from your after-school jobs. How did you do that?

Perhaps my favorite picture of my mother. What a laugh she had.

I’ll never know. My mother lived four decades after my father’s death, but I never asked her the question.

I regret not doing so.

There’s a saying stitched on a sampler in my brother’s house: “Children learn what they live.” My brother, who also became a surgeon, is quite good with his hands. He stitched a number of samplers, perhaps for the same reason my father re-bound his books: meaningful relaxation.

My sister also went into medicine, so as an academic, I am the black sheep of the family.

Children learn what they live.

Philip Wylie

So I followed my father’s example and became a reader. He would read three or four books simultaneously. There was one for the family room, one for the bathroom, one for the bedroom. And so on.

I do that too.  

When I was growing up, the rest of us might be watching television but Dad, not wanting to be anti-social, sat in the same room but would not allow the glowing box his full attention. There always was a book on his lap.

A key moment in my life as a reader came when I met my first writer.

If memory serves, it was a Thursday night in the autumn of 1962. That summer, my father had been transferred to Homestead Air Force Base in Florida, where he was chief surgeon and hospital commander.

If you are the scumbag who borrowed this book from my Dad in 1965 and never returned it, it’s never too late to mend your ways. Email me for my mailing address.

The Air Force base was adjacent to the second-to-last town on the mainland before hitting the Keys. (Ah, all those weekends fishing in the Keys. I never caught anything, but Dad did. He also caught a record bonefish in Biscayne Bay.)

My father was on call that Thursday night, but my mother had read an item in that morning’s Miami Herald about a book event. So Mom trundled us in the candy-apple-red Cadillac convertible and drove us up to Coral Gables to meet Philip Wylie.

I was 8. I had no idea who this man was, he with the craggy face and omnipresent cigarette. Wylie seems largely forgotten today, which is unfortunate. He was an extremely versatile writer, producing books of essays, including jeremiads about the impending rape of the planet due to lack of ecological concern. He wrote mysteries, screenplays, fishing stories and novels about the looming end of humanity because of our greed, vanity and selfishness. Ahead of his time, a bit.

Wylie repurposed his teleplay into a novel. “L.A. 2017” was an episode of The Name of the Game directed by young Steven Spielberg.

My mother was also a reader and a fan of Wylie’s books. The Disappearance, published in 1951, was his dystopian work about a ripple in the cosmos that created separate worlds for men and women. It was science fiction mixed with social commentary. In many ways, Wylie was dystopian before dystopian became cool (and then a cliché).

Wylie was at the store for a book signing, but the turnout was small. He was still a successful writer. His novel, Triumph – about the aftermath of nuclear war – was serialized in The Saturday Evening Post – but on this Thursday night in the Miami suburbs, the expected crowd stayed away.

(By the way: I still recall the disturbing illustration in the Post that accompanied Wylie’s serialization. It showed a bombed out Washington, with the Lincoln Memorial turned to rubble. Honest Abe’s decapitated head loomed in the foreground. This didn’t help me sleep at night, because I was terrified of nuclear war and expected at any minute to be vaporized by some uber-bomb dropped by the Russians.)

Wylie didn’t seem to care about the small audience. My mother charmed him and as she spoke, he came alive when he heard her talk about his books. She spoke with deep knowledge and he knew he was in the presence of a real reader. He said something to that effect and she said, “You should meet my husband.”

And so he asked to meet my father. When he had an evening free, Dad went to the bookstore to rendezvous with Wylie. I was not there, but I wish I could have observed that conversation of titans.

I learned a lot of interesting stuff about Wylie in the years since meeting him. Here’s a small sampling of his contributions and accomplishments, borrowed from Wikipedia:

  • His book Gladiator (1930) is considered one of the key inspirations for Superman.
  • His science fiction novel When Worlds Collide (1933) – about an extinction-level event – inspired the character Flash Gordon.
  • The Disappearance is considered essential reading for those studying human-rights movements by women and homosexuals.
  • He was an avid cultivator of orchids and his writing on the subject inspired a generation of gardeners.
  • He was a strong voice against segregation and scolded the all-white student body during a commencement speech at Florida State University.
  • Beginning in the 1950s, he raised alarms about pollution and climate change. He wrote about it in essays as well as in fiction.
  • His niece, Janice Wylie, was murdered – along with her roommate Emily Hoffert — in 1963, a high-profile case that eventually inspired a television film that introduced the world to the Tootsie-roll Pop-sucking detective named Kojak.
  • He wrote scores of screenplays, including a set-in-the-future episode of The Name of the Game called “L.A., 2017,” directed by 24-year-old Steven Spielberg.

The list could well go on.

Back to that night in Coral Gables. My mother bought some books for my father and had Wylie sign them. For my brother, she bought When Worlds Collide and for us to share, she bought The Answer, Wylie’s novel about an unidentified flying object shot down by the Air Force. The “object” turns out to be an angel.

He signed that, “To Chuck and Bill – pals of mine.”

I was starstruck. When he shook hands with me as we were leaving, I held up my palm and said, “I’ll never wash this hand again.” Wylie laughed.

Alas, my Dad lent our copy of The Answer to one of his fellow surgeons after our transfer to Texas in 1965. We never saw that book again. (This is why I rarely lend books – and then, only when the prospective borrower delivers a urine specimen, the title to their car and dibs on their first-born.)

Nine years after we met him, Philip Wylie died.

I never thought I looked like my father. Looking-like-father would seem to describe my brother.

I’ve now lived nearly a quarter-century longer than my father, and in recent years, I’ve begun seeing him in the mirror.

Wouldn’t it be wonderful, I think, if that was him in the mirror and then I could finally ask all of my questions.

But it’s only me who looks back, some gray-haired old man. My father didn’t live long enough to turn gray.

I’m not a surgeon, but I don’t think my parents cared that I didn’t want a career in medicine. They were both readers, and my father had extremely catholic tastes: he’d read a Raymond Chandler novel, then devour a philosophical treatise, then return again to Finnegans Wake, sometimes reciting passages aloud. (He was a huge fan of James Joyce. I never got past Dubliners.)

When he died and I was a 20-year-old work in progress, I began to wonder what he would think of me. My Mother spent the last decades of her life assuring self-doubting me that he would be proud of me, and the fact that I became, among other things, a writer. He would be proud of all of us, she said.

When my brother and sister and I became parents, our joy was tempered with a wish that could not be fulfilled: I wish Dad could be here to meet my child.

(By the way, I won the spawning competition: brother Charlie had five children, sister Suzanne had two, but I had seven.)

My magnificent seven (left to right): Mary holding Charley, Sarah holding Travis, Graham holding Jackson and Savannah holding her own. This picture was taken in 2009.

Our children wondered the same thing. None of my children knew my father. One of my sons, Jackson, would ask me for stories about Dad. He even devised the nickname DD for him – Dad’s Dad.

Dad would have been proud of them as well.

On his birthday one year, I gave compact discs to my brother, sister and mother. I’d made these discs and presented them in jewel cases festooned with pictures of him – with Mom and his children.  

There were two volumes of Dad’s Music. The first disc was his favorite classical music, the second disc was popular music. It was not hard to listen to that music and feel his breath at our sides. This was the man who used to wake us at 6 o’clock in the morning with The Flying Dutchman overture rattling our glands with his prized Bozak speakers. He loved music.

My eldest, a girlchild named Sarah, heard Dad’s Music at my brother’s house one night and said, “I wish I would have known him.”

I said, “Me too. You would have loved him and he would have loved you.”

What I should have said.: You do know him; he is in me.

Babs From Brooklyn

Perhaps it’s time for an intervention. After a lifetime of feelings ranging from indifference to outright loathing, I’ve decided that I was all wrong about Barbra Streisand. I have, at this late stage of life, become a fan.

This troubles friends and family. Has a space alien sucked my brain from my head? What has happened to change my feelings about this singer and actor I professed to despise? And if I’ve changed about Barbra Streisand, can a switcheroo on Neil Diamond be far behind?

My friends are so worried, but before they call the white coats to take me away, let us ponder the sitch.

Why those earlier feelings, I now wonder.

Barbra Streisand at 24 (her lucky number)

I always admired the Voice. Good Lord, she has a gift. That I always acknowledged.

And I had liked some of her films. The Way We Were set me sniffling in the darkness of the theater. And I thought she did a beautiful job directing and acting in Yentl and The Prince of Tides.

So again — why did I tell everyone I couldn’t stand her?

Maybe it was the song choices she made and the over-the-top show-biz posturing whenever I saw her perform.

Again I wonder: why those feelings?

I was raised on musical comedy. As a kid, my parents took me to the theater every two weeks during summers. We saw all of the summer-stock / road-company shows that the theater scene — such as it was in Fort Worth, Texas — could offer.

So I grew up well versed in the works of Rodgers and Hammerstein and Lerner and Lowe, as well as other Broadway gods. Though I no longer care for musical comedy, that aspect of my upbringing still reverberates through me.

Whenever I would sing around the house, Ex-Wife No. 2 would chime, “Showtunes!”

No matter what I would sing — even “Swing Low, Sweet Chariot” or “Masters of War” — it always came out sounding like a show tune.

But after Cream and Led Zeppelin and Black Sabbath hit my adolescent turntable, I put away those original-Broadway-cast albums and never looked back.

Streisand came to represent that unsubtle over-the-top stage belting to me.

There was another reason I grew to dislike her. It was that Monster Diva vibe I’d pick up now and then. I’ve always liked my artists humble, falsely or not.

Ex-Wife No. 1 and I had gone to see A Star is Born — which we quickly renamed A Star is Boring — when it hit theaters back in 1976.

I hated the movie as I hated most movies that portrayed the rock’n’roll business. I can’t think of a rock’n’roll movie that got it right until Almost Famous in 2000. Seeing Barbra and Kris Kristofferson as rock stars just didn’t do it for me. Despite the fact that the film was written by Joan Didion and John Gregory Dunne, I still thought the movie was a festering gob of whale vomit.

The clincher came during the credits. As we watched them roll, Ex-Wife No. 1 seized on the wardrobe credit: “Miss Streisand’s clothes … from her closet.”

My Ex scoffed loud enough to turn the heads of departing theater-goers. Thereafter, whenever we saw Barbra’s picture in the paper or saw her on TV, My Ex would snarl, “Miss Streisand’s clothes … from her closet.”

So why, considering these feelings, did my mind seize on the idea of reading Barbra Streisand’s autobiography.?

When it was published two years ago, I was filled with the sudden and unexplained desire to read it — but for some reason didn’t actually pick it up until two weeks ago. 

Once in my presence I gorged on it — all 970 pages.

I was a glutton for the book, like Henry the Eighth gnawing on a greasy turkey leg.

Streisand’s a great storyteller who propels readers through the narrative … all 970 pages, as I say.

Thousand-page bios or memoirs are more appropriate terrain for books about Josef Stalin or other historic characters.

Click on the cover to order

But Streisand never hits a dull patch in her storytelling. If Plato was right about the unexamined life not being worth living, then Streisand has certainly lived a worthwhile existence.

My Name is Barbra (Viking, $50) examines nearly everything about her life and has successfully turned me around. I am now a fan.

I’ve begun hitting eBay hard for old Streisand vinyl. I’ve rewatched Yentl and am searching my streaming services for the films I’ve missed along the way. (I have no plans to see A Star is Boring again, however.) I need to find The Mirror Has Two Faces. She directed that one too, and co-stars with Jeff Bridges, who has moved into the top position as my favorite actor. (Following the death of the great Gene Hackman.)

Here are some random thoughts about the book:

  • What is it with her mother? No matter what she did, Streisand could not please her mother. To say Ma was stingy with praise is to understate a critical problem in her daughter’s life. I can’t recall her mother ever saying, “Barbra, you got a good voice.” Nothing! Mother might’ve been resentful of her daughter’s extreme talent.
  • The book serves many functions. It’s not just an autobiography, it’s also a manual on Yiddish terms and phrases. I love learning something new.
  • She’s modest. If it’s false modesty, so what? If I could sing like her, it’d be harder than hell to keep my ego in check. In my view, she does.
  • She brings up the “Miss Streisand’s clothes … from her closet” credit. It was the truth, but critics slammed her for the ego-centric feel of it. It hurt her. So now I feel guilty.
  • Fellow dudes: No matter how nice we are to our Beloveds, we will always pale next to James Brolin. Brolin, Streisand Husband No. 2, is one thoughtful and romantic motherfucker. I plan to keep this book handy to scan for romantic ideas.
  • Once, Jim Brolin was in bed with Streisand and in no hurry to sleep. He told her sleep was a waste because he didn’t want to miss a thing. Streisand told her songwriter friend Diane Warren about that and she used Brolin’s line to write “I Don’t Want to Miss a Thing,” a hit for Aerosmith. Brolin deserved a writer’s credit.
  • She loves dogs. She even cloned one.
  • Speaking of Brolins, James’s son Josh Brolin, that wonderful actor (see No Country for Old Men) also writes poetry Who knew? Seems like an interesting guy.
  • We learn a lot about her first marriage, to Elliott Gould (speaking of wonderful actors). It reminds me of Gould’s charisma. If you’ve never seen The Long Goodbye, go watch it right now. Then watch every other movie Elliott Gould has ever made.
  • She and Gould sound like great parents. Jason Gould is a lucky dude.
  • I love her rants about Donald Trump. She’s more eloquent in her disdain than most MSNBC pundits.
  • If she believes in a cause, she generously supports it.
  • Despite her talent and her perceived power, studios sometimes still say no to Streisand projects. She doesn’t always get what she wants, which is a shame because when she does get what she wants — see Yentl, The Prince of Tides, etc. — what she wants is spectacular. Do we need further proof that Hollywood is a sexist town?
  • She loves to eat and loves to talk about food. Reading this book made me hungry.
  • She is a national treasure.

Okay, so maybe that last one is a little corny. Bob Dylan means so much to me and I think of him the same way. We’re lucky to be around when great artists stalk the earth.

And speaking of lucky: I feel blessed that I have lived long enough for these two artists in their mid-eighties to finally record a duet. (To hear Streisand and Dylan sing “The Very Thought of You,” click here.)

I have no problem admitting my errors. I’ve done a 180 on Barbra Streisand and I’m so happy I didn’t take my indifference to the grave. So what if it ain’t rock’n’roll? I have room in my heart for all kinds of music, as long as it’s good.

As my Late Sainted Mother always said, “If we all liked the same thing, it’d be a pretty dull world.”

I can like the Ramones and Perry Como. And I can like Barbara Streisand and Daddy Longlegs.

In fact, Streisand takes us so deep into her world and her artistic choices and her hopes and dreams that I can no longer call her Miss Streisand. Henceforth, she’s my pal.

Meet my buddy, Babs from Brooklyn.