When a Parent Dies Young

When a parent dies young, the children are left with questions. There is so much we want to know.

My father died when he was 53. I had turned 20 three weeks before.

Charles Lewis McKeen, 1921-1974

I always thought he’d be there in my life, because I saw him as indestructible. So many questions linger, unanswered.

For example: I was conceived when my father was stationed in Roswell, New Mexico. This made me wonder if I was spawned, in part, by aliens. That would explain a lot.

I was in utero when my family – mother, father, sister, brother – moved to Indianapolis, where I was born. I have always been the family oddball, so maybe I do have a little Martian in me. (My brother said that was unlikely. He liked to say I came from Uranus.)

Dad and Mom on their wedding day, 1943.

My father was a deeply respected flight surgeon in the Air Force. My brother speculated recently that maybe we were assigned to Walker Air Force Base in Roswell so that Dad could study the body of a deceased alien. Dad was a great keeper-of-secrets, so who knows.

We like to share stories and conjecture about our father because as the years lumber on, we realize how much we want to know about both our parents.

I’m sitting in a room that contains most of my father’s library, my part of the inheritance.

Mom and Dad in the Florida years, circa 1963

To my right is a reasonable facsimile of all the world’s literature. We have Thucydides, Aristotle, Homer, Plato, as well as the three volumes of The American Language, a four-volume history of technology and The Bible as Living Literature. And so much more.

These shelves contain a pretty good starter set for a new civilization, should we have to establish a colony on Venus someday.

Two shelves of books are bound in calfskin. I want to ask, “Why’d you do that, Dad?” Family rumor is that it was a relaxing home activity for him while he was in medical school. But no one knows for certain.

And there are other questions I wish I could ask, things that would help me understand his life’s narrative.

During the Great Depression, for example: Dad, as I understand it, you and Uncle Richard were the primary support for the family; you kept the McKeens afloat with the pay from your after-school jobs. How did you do that?

Perhaps my favorite picture of my mother. What a laugh she had.

I’ll never know. My mother lived four decades after my father’s death, but I never asked her the question.

I regret not doing so.

There’s a saying stitched on a sampler in my brother’s house: “Children learn what they live.” My brother, who also became a surgeon, is quite good with his hands. He stitched a number of samplers, perhaps for the same reason my father re-bound his books: meaningful relaxation.

My sister also went into medicine, so as an academic, I am the black sheep of the family.

Children learn what they live.

Philip Wylie

So I followed my father’s example and became a reader. He would read three or four books simultaneously. There was one for the family room, one for the bathroom, one for the bedroom. And so on.

I do that too.  

When I was growing up, the rest of us might be watching television but Dad, not wanting to be anti-social, sat in the same room but would not allow the glowing box his full attention. There always was a book on his lap.

A key moment in my life as a reader came when I met my first writer.

If memory serves, it was a Thursday night in the autumn of 1962. That summer, my father had been transferred to Homestead Air Force Base in Florida, where he was chief surgeon and hospital commander.

If you are the scumbag who borrowed this book from my Dad in 1965 and never returned it, it’s never too late to mend your ways. Email me for my mailing address.

The Air Force base was adjacent to the second-to-last town on the mainland before hitting the Keys. (Ah, all those weekends fishing in the Keys. I never caught anything, but Dad did. He also caught a record bonefish in Biscayne Bay.)

My father was on call that Thursday night, but my mother had read an item in that morning’s Miami Herald about a book event. So Mom trundled us in the candy-apple-red Cadillac convertible and drove us up to Coral Gables to meet Philip Wylie.

I was 8. I had no idea who this man was, he with the craggy face and omnipresent cigarette. Wylie seems largely forgotten today, which is unfortunate. He was an extremely versatile writer, producing books of essays, including jeremiads about the impending rape of the planet due to lack of ecological concern. He wrote mysteries, screenplays, fishing stories and novels about the looming end of humanity because of our greed, vanity and selfishness. Ahead of his time, a bit.

Wylie repurposed his teleplay into a novel. “L.A. 2017” was an episode of The Name of the Game directed by young Steven Spielberg.

My mother was also a reader and a fan of Wylie’s books. The Disappearance, published in 1951, was his dystopian work about a ripple in the cosmos that created separate worlds for men and women. It was science fiction mixed with social commentary. In many ways, Wylie was dystopian before dystopian became cool (and then a cliché).

Wylie was at the store for a book signing, but the turnout was small. He was still a successful writer. His novel, Triumph – about the aftermath of nuclear war – was serialized in The Saturday Evening Post – but on this Thursday night in the Miami suburbs, the expected crowd stayed away.

(By the way: I still recall the disturbing illustration in the Post that accompanied Wylie’s serialization. It showed a bombed out Washington, with the Lincoln Memorial turned to rubble. Honest Abe’s decapitated head loomed in the foreground. This didn’t help me sleep at night, because I was terrified of nuclear war and expected at any minute to be vaporized by some uber-bomb dropped by the Russians.)

Wylie didn’t seem to care about the small audience. My mother charmed him and as she spoke, he came alive when he heard her talk about his books. She spoke with deep knowledge and he knew he was in the presence of a real reader. He said something to that effect and she said, “You should meet my husband.”

And so he asked to meet my father. When he had an evening free, Dad went to the bookstore to rendezvous with Wylie. I was not there, but I wish I could have observed that conversation of titans.

I learned a lot of interesting stuff about Wylie in the years since meeting him. Here’s a small sampling of his contributions and accomplishments, borrowed from Wikipedia:

  • His book Gladiator (1930) is considered one of the key inspirations for Superman.
  • His science fiction novel When Worlds Collide (1933) – about an extinction-level event – inspired the character Flash Gordon.
  • The Disappearance is considered essential reading for those studying human-rights movements by women and homosexuals.
  • He was an avid cultivator of orchids and his writing on the subject inspired a generation of gardeners.
  • He was a strong voice against segregation and scolded the all-white student body during a commencement speech at Florida State University.
  • Beginning in the 1950s, he raised alarms about pollution and climate change. He wrote about it in essays as well as in fiction.
  • His niece, Janice Wylie, was murdered – along with her roommate Emily Hoffert — in 1963, a high-profile case that eventually inspired a television film that introduced the world to the Tootsie-roll Pop-sucking detective named Kojak.
  • He wrote scores of screenplays, including a set-in-the-future episode of The Name of the Game called “L.A., 2017,” directed by 24-year-old Steven Spielberg.

The list could well go on.

Back to that night in Coral Gables. My mother bought some books for my father and had Wylie sign them. For my brother, she bought When Worlds Collide and for us to share, she bought The Answer, Wylie’s novel about an unidentified flying object shot down by the Air Force. The “object” turns out to be an angel.

He signed that, “To Chuck and Bill – pals of mine.”

I was starstruck. When he shook hands with me as we were leaving, I held up my palm and said, “I’ll never wash this hand again.” Wylie laughed.

Alas, my Dad lent our copy of The Answer to one of his fellow surgeons after our transfer to Texas in 1965. We never saw that book again. (This is why I rarely lend books – and then, only when the prospective borrower delivers a urine specimen, the title to their car and dibs on their first-born.)

Nine years after we met him, Philip Wylie died.

I never thought I looked like my father. Looking-like-father would seem to describe my brother.

I’ve now lived nearly a quarter-century longer than my father, and in recent years, I’ve begun seeing him in the mirror.

Wouldn’t it be wonderful, I think, if that was him in the mirror and then I could finally ask all of my questions.

But it’s only me who looks back, some gray-haired old man. My father didn’t live long enough to turn gray.

I’m not a surgeon, but I don’t think my parents cared that I didn’t want a career in medicine. They were both readers, and my father had extremely catholic tastes: he’d read a Raymond Chandler novel, then devour a philosophical treatise, then return again to Finnegans Wake, sometimes reciting passages aloud. (He was a huge fan of James Joyce. I never got past Dubliners.)

When he died and I was a 20-year-old work in progress, I began to wonder what he would think of me. My Mother spent the last decades of her life assuring self-doubting me that he would be proud of me, and the fact that I became, among other things, a writer. He would be proud of all of us, she said.

When my brother and sister and I became parents, our joy was tempered with a wish that could not be fulfilled: I wish Dad could be here to meet my child.

(By the way, I won the spawning competition: brother Charlie had five children, sister Suzanne had two, but I had seven.)

My magnificent seven (left to right): Mary holding Charley, Sarah holding Travis, Graham holding Jackson and Savannah holding her own. This picture was taken in 2009.

Our children wondered the same thing. None of my children knew my father. One of my sons, Jackson, would ask me for stories about Dad. He even devised the nickname DD for him – Dad’s Dad.

Dad would have been proud of them as well.

On his birthday one year, I gave compact discs to my brother, sister and mother. I’d made these discs and presented them in jewel cases festooned with pictures of him – with Mom and his children.  

There were two volumes of Dad’s Music. The first disc was his favorite classical music, the second disc was popular music. It was not hard to listen to that music and feel his breath at our sides. This was the man who used to wake us at 6 o’clock in the morning with The Flying Dutchman overture rattling our glands with his prized Bozak speakers. He loved music.

My eldest, a girlchild named Sarah, heard Dad’s Music at my brother’s house one night and said, “I wish I would have known him.”

I said, “Me too. You would have loved him and he would have loved you.”

What I should have said.: You do know him; he is in me.

Some Novel Approaches (Some Nonfiction Ones, Too)

I won’t waste your time (and mine) writing about lousy books. Life is too short.

I recommend these books below. These are brief notes (no spoilers) about my recent reading, ranging over fiction and nonfiction.

Click on the book jackets if you want to check out the publishers’ information on each book.

Hope you enjoy.

Yesteryear by Caro Clare Burke (Knopf, $30)

I start my mornings with three dailies — the New York Times, the Washington Post and the Boston Globe. All agree that Yesteryear is the book of the summer. (Or book of the summah, as the Globe might say.) That sounds like “beach read” stuff, which is one of those triggering phrases that might make you want to puke.

For the record: this isn’t your sister-in-law’s beach read. It just so happens this book was published as May rolled around and the timing throws it into the summer-book category.

Forget that noise. This is an engrossing and intriguing and constantly surprising book that has at its center a trad-wife influencer [remark on how that phrase wouldn’t exist 10 years ago] and what happens when she appears to do a Billy Pilgrim move, and becomes unstuck in time. Or does she?

With a deft touch, Burke follows the saga of the influencer’s families [note plural], giving us the chance to ponder the realities we manufacture through social media. Is it life or is it synthetic life?

Corny to say, but true: likely you will be wrapped up in this book long after you finish reading it.

Murderland by Caroline Fraser (Penguin, $32)

This book was published last year, so it’s already out in paperback. [Cheap bastard alert!] I’d go for the hardcover, though, because you’ll carry this book wherever you go until you finish it. A paperback might not survive.

I confess: I like true-crime books (and great detective fiction, by Michael Connelly, Tana French, Michael Koryta and others) and I have read a lot about serial killers. (One of my favorite book titles of all time: Evil Serial Killers … as opposed to warm, cuddly ones?)

This book allows us to ponder the disproporiate number of serial killers from the Pacific Northwest. That’s the author’s home turf and she weaves together the various stories of the killers — Ted Bundy, the Green River Killer, the I-5 killer and others — with her own, and with the manufacturing history of the area.

She comes to the conclusion that lead poisoning from smelters burning and polluting that awful stuff warped the minds of a susceptible lot.

Interesting premise and execution. The personal story does not detract and the details of the killers and their methods will revolt you anew.

London Falling by Patrick Radden Keefe (Doubleday, $30)

I am not always in step with the rest of the world. I never finished Keefe’s book Say Nothing, a bestseller turned television series. But after reading London Falling, I need to give Say Nothing another chance.

London Falling is a terrific book. It follows a small family through crisis and tragedy, as the parents try to learn what went wrong with their second-born son.

Again, the themes of curated identity play a huge role here. There are two sons — the golden child … and the other. Unable to match his brother’s accomplishments, the younger son manufactures another identity and another life, this one steeped in London’s underworld.

Keefe, a New Yorker writer, earns the trust of the family, which gives him the ability to write the story from the inside. Even though we know doom lies ahead, as we read we want to step inside the story, to steer it right.

We realize again, after reading this harrowing book, that parenthood is not a job for chickenshits.

The World’s Worst Assistant by Sona Movsesian (Plume, $30)

First, accept my premise: Conan O’Brien is the funniest human on earth. I’ve always appreciated his humor, but since getting a new (to me) car that came with Sirius XM, I’m rarely off Conan O’Brien Radio. Aside from bits from his 30-plus years of late-night entertainment, it is home to all episodes of his podcast, Conan O’Brien Needs a Friend.

My corollary to the above law is that the second funniest human on earth is Conan’s assistant, Sona Movsesian. Despite the bold claim in the title of her memoir, she must not be truly the worst, since she’s been working with the Red-Headed Phantom for nearly two decades.

Her let’s-get-real personality is perfect foil to Conan’s flights of fantasy and weirdness. Their symbiotic relationship renders Needs a Friend the perfect podcast. The nice thing about it being on Conan O’Brien Radio is that there are no commercials. (Though the commercials are often quite funny when Conan performs them.)

This book is a few years old, so sue me. She has a sequel called The World’s Worst Mom, which I vow to read before frost covers the pumpkin.

This is out in paperback for all of you cheap assholes.

(The podcast is worth your time. Conan is a masterful interviewer.)

Tell Me Everything by Elizabeth Strout (Random House, $30)

William Faulkner has Yoknapatawpha County, Stephen King has Castle Rock and Elizabeth Strout has Crosby, Maine.

Once every couple years, Strout takes us back to Crosby for her rotating cast of characters — Olive Kitteridge, Lucy Barton, Bob Burgess and the town’s other denizens. These protagonists share the narrative, this time with a murder element.

Strout won the Pulitzer for Olive Kitteridge and My Name is Lucy Barton was a best-seller. This book is largely in the hands of Bob Burgess, an attorney near retirement age, happily married but wanting more.

We’re not used to murder as a regular feature of Strout’s narratives, but it’s not much of a reach here. It comes organically from these characters.

This is book about grownups for grownups. Though Strout often indulges in superfluous asides (not quite Now, Dear Reader, but close), her storytelling is swift, efficient and rich with character.

In the Days of MyYouth I Was Told What it Means to Be a Man by Tom Junod (Doubleday, $32)

Much praise has been heaped on this book, but allow me to heap some more.

Junod is a gift-from-God magazine writer whose first book is a memoir. (Let’s hope the publisher is preparing a collection of his journalism for book number two.) The title, borrowed from Led Zeppelin, is perfect. This is all about the life lessons he learned from his father, Lou Junod. Despite being an unrepentant bullshit artist, Lou is nevertheless capable of being loveable on occasion.

Tom grew up both confused and comforted by his homelife. His parents were married for 59 years, despite prolific affairs and bouts of severe unreliability. He was thr youngest in the house, the one who had to deal with parental detente the longest.

So many memoirists pull their punches, but Tom Junod writes with breathtaking honesty. I predict a Pulitzer.

The Neverending Story

So: I almost died again. That’s happened before, but this time was an even closer call. And another child of mine saved my life.

This is part of my continuing memoir about health issues. I thought I was done with this story, and even titled the previous entry “This Might Be the End.” But it wasn’t.

So think of this as the post-credits sequence.

This dispatch might have a few moments that are not for the squeamish. In fact, maybe I need to post a

SURGEON GENERAL’S WARNING: The account that follows includes a lot of gross stuff. Though I’m embarrassed to share this, I feel compelled to do so, since this whole memoir is about learning to listen to our bodies, even at their most loathsome moments. Keep a puke bucket handy.

OK, to backtrack:

Eight years ago, I had knee-replacement surgery. When I awoke in the recovery room, I could tell something was different. I was numb below the waist. Nurses assured me that this would pass, but after a day, not much was passing. I couldn’t urinate, or at least not much.

I was sent home with a catheter and with a schedule of home visits by nurses. Thus began a ballet of take it out / put it back in / take it out / put it back in.

With the catheter out, I felt an overwhelming need to pee, but could not. All the catheter in’n’out introduced an infection.

I was living alone, but my ex-wife dropped in once a day to check on me, usually with one of our boys in tow. She found me once pasted to my sheets by sweat, with my teeth chattering. It was a horrible, delirious fever. She wanted me to call an ambulance but I refused.

The next time I looked up, my daughter Sarah was there. Twenty-four hours had passed but it’s as if I’d blacked out. She’d come up from Brooklyn and finally got me to the hospital and surgery and eventually to the world of self catheterization.

Lifesaver No. 1: Sarah McKeen

Sarah McKeen and husband David Tracy

That was my first sepsis experience. I had another such experience two years later, at Travis’s baseball camp.

Other times, I felt the tingles of sepsis brain fog at the back of my skull. I called my primary care physician, Dr Chu, who immediately prescribed the antibiotic to knock things out.

Catheterization was just part of my life and the process became so much a part of my routine that I could do it in my sleep. Unfortunately, I might’ve done that a couple of times. I’d be halfway through the procedure when, all of a sudden, I realized I had not put on my gloves. Or that I had not swabbed Mr Happy sufficiently before sending my tubing up my schwanz.

My medical supply company didn’t send everything I needed to self-cath, so I had to order a few other supplies. I ordered the same gloves used at my doctor’s office.

Son Jackson pointed to a line on the packaging of the gloves that noted that they were not sterile.

And so now we’re more-or-less caught up.

Savannah and her husband had moved nearby and had just welcomed their third child, Thomas, to the world just a week before my near-death.

Travis was graduating college and immediately starting a job with a global software firm an hour away from my home.

Charley was home for his final summer vacation and would finish his degree the next year.

By this point, Jackson had been living with me full time for six years. I’d tried to keep life simple by renting houses, but the owners always ended up selling out from under us. So I finally gave in and bought a house – a new house (built in 1880) by New England standards, and just right for the two of us.

I’d hosted Travis’s graduation party and Savannah had just birthed grandson Thomas when I began to feel a bit wookety.

I spent a Sunday on the couch, watching old movies. I was a Boy Scout, so I’m always prepared. I kept a saucepan on the floor in case I needed to vomit.

Still miserable at the end of the night, I trudged up to my bedroom, self-cathed, then gobbled a gummie and hit the sack.

Next day, not much change. The nausea was worse and I coated the saucepan with my bile.

Then, early evening: I felt a stirring in my gut. Jackson was upstairs. He had two rooms of the house: his bedroom and a game room and an overlarge closet (bigger than some bedrooms I’ve had), which he turned into a soundproofed recording studio. ‘Tis there where he creates the music he releases to the world under his stage name, beenz.

(To hear his album Look Alive, click here. You can also order the CD on this site.)

So I hear him upstairs and he sounds occupied, talking to someone on his headphones.

That stirring!

So I try to get up off the couch, but can’t. I have no strength. I sense my gut setting off its alarms, so I do the only thing I can do – I roll off the couch and start crawling, hands and knees, to the bathroom.

Jackson never uses this bathroom. He’s in command of the upstairs bathroom, usually littered with used towels and overflowing garbage cans. I rarely venture in there.

My bathroom, off the kitchen, is as immaculate as I can make it. It has a shower, the washer and dryer, and the usual stuff including that which I most need at that moment: a toilet.

I don’t make it.

I still can’t stand up. When I reach the bathroom, I try to grasp the sink and pull myself to a sitting position, to no avail.

And here it comes.

As awful as it was, I took solace in this fact: at least it was my feces. If I’m trapped on the floor of the bathroom with excrement leaking onto my body and clothing, at least it was mine and not somebody else’s.

(Cue Eric Idle)

And then it happened again.

And again.

Throughout this, I was wrestling with my clothing, hoping to be able to pull myself up to the toilet. But the sink didn’t help, the doorknob didn’t help and the toilet didn’t help.

But then a weird thing happened: I time traveled.

I lay there on the floor, on top of the bathroom rug, feces all around me. For the next hour – or so it seemed – I was a child again.

When I was a little boy living in Germany, I would wake in the night sometimes and go announce to my parents that I was sick. After checking me out and pronouncing me okay, my parents told me to lie down and see it my urge to vomit passed.

So I would curl up on the little green bath rug and sleep the rest of the night there. Both parents are gone, so don’t call the Department of Children and Families, you busybodies of the 21st Century. As a matter of fact, sleeping there on the little green rug for the rest of the night was tremendously comforting.

Several decades later there I was on another bathroom floor, on another bathroom rug. I’d come full circle.

Maybe this is how it ends, I thought. Here I was, pinned to the floor by the cruelty of gravity, awash in my own waste.

After an hour or so, I made another effort to pull myself up. I was halfway to a standing position when I fell again, this time slamming into the shower door. Thank God it didn’t shatter.

Still on hands and knees, I reached out of the bathroom to the kitchen cabinet where the paper towels were stored. I began cleaning my foul waste from the floor, aware that Attack Number 4 could occur at any instant.

I was weak, and I couldn’t think. I recognized my sepsis brain fog and knew I was in big trouble.

Then came the thundering hooves of Jackson McKeen down the stairs, then I heard him on the other side of the door: “Dad, what’s wrong?”

He’s not psychic, far as I can tell. It’s just that – our grossness alert is still in effect – the pungent aroma emanating from the bathroom had reached his upstairs lair.

“I’m okay,” I lied. “I’ve made a mess in here. I’m going to clean it up, then I think I’ll go to bed early.”

That was my plan: somehow I’d sleep this off.

“Bullshit!” he shouted. “You’re going to the hospital.”

“No, I’m okay. Just let me rest a little, and clean this up. I don’t need the hospital.”

“You’re an idiot,” he said. “I’m taking you to the hospital.”

He was right and I knew it. I would later recount this story to my brother, a physician, and he said: “You don’t exhibit good judgment when it comes to your own health. Jackson is your better angel.”

I wonder why that is, after all I’ve been through. But my brother was right.

I acquiesced to Jackson. “Okay,” I told Jackson, “but grab me a couple garbage bags and put them outside the door, then leave the room. I can’t leave the bathroom like this.”

“Fuck the bathroom,” he said.

“Just let me clean this some,” I said, “or I won’t go to the hospital.”

“Idiot!” he said again.

“You can help by going upstairs and getting me some clean clothes to wear.”

So I set to work cleaning up the befouled bathroom. I couldn’t stand upright, but managed to somehow get my loathsome bod into the shower stall, where I used the spray nozzle to remove waste from my legs. I had to revert to a crawl when I was done, because even if I had been able to assume a standing position, I worried I would fall again.

Jackson had gotten me a clean pair of jeans and my lucky hospital shirt. This was the shirt I’d worn to the hospital for every one of my surgeries, a tribute to Hunter S Thompson. On the front, in gonzo script, it read, “Too Weird to Live, Too Rare to Die.”

I hope the shirt would work its charms again.

I closed the bathroom door. “Do not go in there,” I said. “I will give it a thorough cleaning when I get home.”

Or if, I thought.

I still could not stand upright, so I was a human jackknife as he got me to his car. I walked hunched over and it took every ounce of strength to fold myself into the passenger seat.

On the way there, I asked him to be my interpreter. “I can’t form sentences,” I told him. “You need to be my advocate.”

Why resist the emergency room?

Partly, I always wonder if my illness is more important than a gunshot wound or an automobile accident.

Partly, I remember an emergency room visit a couple years before. I spent 8-10 hours on a gurney in a hallway of the emergency suite, listening to the screams of an elderly (i.e., my age) man who could not move his bowels.

Fuck! Fuck me! For hours and hours.

I was ready to grab an ice cream scoop and dig it out of him.

Overcrowded emergency rooms are nothing new. But when Jackson got me to South Shore Hospital that night, I was surprised by how quickly I moved through the system. The machinery was well-oiled.

Even at these moments, I could not stop being me. When I was finally taken to a private room in the suite, I was assigned the proverbial pretty nurse. I wanted to ask, “Excuse me, but shouldn’t you be selling poppies from a tray?”

But I did not.

My chronic dehydration caused a lot of problems. My veins had largely collapsed, so it took six or seven sticks before we finally got an IV going. Allie, the pretty nurse, was being helped by an aide who eventually ended up tapping a vein on the inside of my elbow.

I was dying of thirst. For once in my life, I craved water, but I was told no fluids until any tests a doctor ordered had been conducted.

I was there all night, delirious, slipping in and out of consciousness. Jackson expertly described all of my health issues from the previous decade up through the bathroom floor that evening. I faded in and out, but every time I looked up, there he was: sitting on the floor against the wall and if he slept, I never saw it.

Jackson’n’Me: The Early Years

Lifesaver No. 2: Jackson McKeen

After spending the next day in an observation suite, I was given a private room when one came available. Turns out it was on the dementia ward.

I was still unable to function. I couldn’t stand or walk. I was catheterized with a Foley catheter – that’s the one with a balloon that inflates inside – and had to use a bedpan. It was still foul. All I can say is that I will never eat Jell-O Chocolate Pudding again.

Turns out I was the victim of a double whammy. I had sepsis, but I also had something the nurses nicknamed C-diff, which is short for Clostridioides difficile. The Centers for Disease Control define it as “a highly contagious bacterium that infects the large intestine, causing severe, watery diarrhea and painful colon inflammation (colitis). It typically occurs when recent antibiotic use disrupts the gut’s healthy bacteria, allowing C-diff to overgrow and release damaging toxins.”

So I was getting it from both ends. I had been on a couple of antibiotics in recent weeks and that seeded my problems.

None of my other issues went away. The doctors took me off Gabapentin – probably trying to minimize my meds during my hospital stay. The neuropathy pain was off the charts and I could only sleep after plunging my tootsies into the ice-water bucket provided by the nurses.

Jackson with brother Travis on Travis’s graduation day

My James Brown fever (I wake up! In a cold sweat! Unh!) lasted three days. When my teeth weren’t chattering, I was a hunka hunka burning love. I got to 102 degrees, if memory serves.

I had a headache that lasted three days. I lost my appetite. I had to learn to walk again, to come to a full stand without crumpling into a heap on the floor.

Within a few days, I was able to get to the toilet on my own (with the help of a walker).

It took over a week, but finally I was physically able to be discharged.

It sounds benign, but being in a hospital bed that long damages the psyche. I was still in my mental pea-soup and so could not read or concentrate. Jackson came to see me and served as my translator. The other boys also visited.

Savannah, with her newborn, did not visit. I did not realize how contagious C-diff could be.

She’s a nurse, so when I told her I had something I never heard of called C-diff, she texted back, “Oh shit.” As I recounted my evening from the bathroom floor and how, if not for Jackson, my plan was to crawl upstairs to sleep-off my latest infection, she texted back, “You would not have woken up.”

That made me realize how close I had come. And I kept hearing my brother’s words in my noggin: “You don’t exhibit good judgment when it comes to your own health.”

So I made it home after more than a week.

I was weak and couldn’t – still can’t – do more than one thing a day. The Visiting Nurses Association checks on me every other day. We’re trying to find a better set of supplies for my daily cathing. We’ve changed some other medications.

It’s good to have a great primary-care physician in my life. Though I’m sure she’s not proud of it, Sofia Chu knows the ins’n’outs of this abandoned reptile carcass of mine.

I was lucky to be under the care of such fine nurses and physicians. Yes, I did send a thank-you card as a matter of fact

So I hope I’m on my way back.

Don’t be like me. Please use good judgment with your health.

Welcome, my friends, to the story that never ends.

Stopping By Woods for 9,861 Evenings

Henry David Thoreau was a rank amateur, to hear Christopher Knight tell it.

Sure, Thoreau spent some fine time alone in his cabin by Walden Pond, but he still allowed himself human contact. He’d hit up some friends for dinner now and then. So yeah, in Walden he painted a picture of himself “as solitary as a dervish in the desert” for his two years at the pond.

Whose woods these are, I think I know. I ought to — it’s my backyard.

Hold my beer.

Knight was on total radio silence with humanity for 27 years. Top that, Hank!

Knight was on a drive in central Maine and when his car ran out of gas, he got out and walked into the woods.

Police caught up with him nearly three decades later and in all of that time, Knight told investigators he spoke only one word (“Hi”), when he happened to run into a hiker.

It’s unclear why Knight did all of this. Michael Finkel spends most of his book, The Stranger in the Woods (Knopf, $24.95) trying to get an answer, but the reality is out of his reach, still planted somewhere in Knight’s noggin.

Knight’s family was mildly reclusive, but functional. By all accounts, it was a loving family, just not touch feely, as Knight says. Though all the residents of the area where Knight camped called him “The North Pond Hermit,” Knight disdained that word. He was a stoic, he said, in the classic sense.

I would’ve learned none of this had not Finkel’s book hit me in the nose.

I was reaching for a book off the top shelf in my office and I dislodged The Stranger in the Woods. It caromed off my nose and landed on the floor. I picked it up.

As far as I could recall, I’d never seen this book, had no idea how I got it. But I opened it, read the first sentence, and did not stop until I was finished with the story.

I wonder how the book — published in 2017 — got on my shelf.

I was aware of Finkel. I read his earlier book, True Story, and knew that several years ago he was dismissed from the New York Times for creating a composite character in a story on modern-day slavery in Africa. 

When the whistle was blown on that story and the editors sent Finkel packing, he learned that a murderer in Oregon had been operating under the name Michael Finkel. The unraveling of that man’s story was the basis of True Story, later turned into a film with Jonah Hill as Finkel and James Franco as the killer.

I’d liked True Story simply because Finkel was so readable. I often talk about narrative velocity in class and Finkel writes like an X-15.

(I also trusted him. He spent much of True Story apologizing and admitting his shame and remorse. I gave him a chance, and the rest of True Story won me over.)

Knight’s story is still a mystery. Why, at age 20, did he walk into the woods. He hadn’t planned to. He had nothing with him — no clothes, no camping gear. To live, he stole.

He was a polite burglar. He never trashed the homes he entered. He didn’t take the usual valuables — electronics, jewelry, etc. He’d take a can of tuna from a stack of cans in the cupboard. He’d just take one. He might take a tarp out of a shed.

He earned the Hermit nickname early on, and he hated it. He also hated it when people began putting bags of food and supplies on the doorknobs of their cabins. He didn’t want charity.

A lot of those cabins were for weekend or summer use, so they were often empty. Still, Knight never slept in one. He slept outside for 27 years. Did I mentioned that this was in Maine, where they have significant winters.

Yet he never built a campfire in the boulder-shaded home he set up. He stole a propane stove and that was all he had for cooking. He didn’t use it for heat.

When police finally caught up with him — he was spotted on the live feed from a video camera at a camping complex — he asked that his family not be contacted. He had been raised right, he told the cops. He knew that stealing was wrong and he did not want to bring shame to his family.

The story is fascinating. We all make choices. Knight’s was unusual, but you get the sense it was, in some strange way, the right decision for him.

The Freewheelin’ Ed Sullivan

Another splendid Record Store Day is in the books, and I am still reeling with the giddy high of the music.

Bob Dylan and Suze Rotolo during the Freewheelin’ photo session.

Being a geezer, I confess that most of my selections are rooted in the music of my generation.

For example, I got Joni Mitchell’s  Rolling Thunder Revue, culled from her performances on Bob Dylan’s gypsy carnival road show of 1975.

I also got The Warfield by The Grateful Dead, taken from two 1980 shows at San Francisco’s Warfield Theater.

But the real prize came later. My favorite record store sold out of it by the time I got there — and I was there by 8:45 am.

Eventually, I tracked down a copy of it.

It was the reproduction of the original version of one of the greatest and most significant albums of my lifetime, The Freewheelin’ Bob Dylan.

That album was recorded and sent out to stores in early 1963, but was recalled by Columbia Records. This was done in part because of a controversial song, but it worked out well for Dylan: He took the controversial song off the album, along with three others. He replaced them with brand-new compositions: “Girl From the North Country,” “Masters of War,” “Talkin’ World War III Blues” and “Bob Dylan’s Dream.” That last is one of my favorites from his early albums. It still gives me chicken skin.

If I had one of those original Freewheelin’s from 1963, one that had been recalled by the record company … why, I could afford to pick up your tab for dinner. Some copies of the original Freewheelin’ have sold for $35,000.

So, with my life enriched by two Freewheelin’s, I’ve jumped down the rabbit hole of Bob Dylan research and I’ve noticed an error that has been fruitful and multiplied.

I must call bullshit.

Even Goldmine, that wonderful magazine about music and records, makes the occasional mistake. In its piece on the Freewheelin’ / Record Store Day hoopla, the magazine says  “ ‘Talkin’ John Birch Paranoid Blues,’ [is] the song that prompted Dylan to walk off The Ed Sullivan Show when Ed wouldn’t let him play it.”

Ed Sullivan

In another story, actor Steve Buscemi makes a comment aimed at the deceased Ed Sullivan after reciting the lyrics to “Talkin’ John Birch Paranoid Blues” at a Dylan tribute concert. “With all due respect, you blew it, man!”

I admire Buscemi as an actor, firefighter and humanitarian. But I hope he will understand when I say, “You’re out of your element, Donny.”

Sullivan supported Dylan and wanted him to do the John Birch song. A representative from CBS’ standards and practices office — in short, a censor — said Dylan could not do it. The censor overruled.

Every trusted source in my Dylan library affirms this story.

Ed was a good guy. OK, he was so wooden that redwoods withered in his wake. Speaking did not come naturally to him and watching him try to engage in post-performance smalltalk with his guests was excruciating. He might’ve invented cringe television.

But this man with no discernible talent hosted for a couple of decades the epitome of a television variety show.

And despite the protests of CBS’s affiliate stations in the Deep South, he booked whatever entertainer he wanted.

In the early and mid-Sixties, some stations down south put a sign onscreen when a black entertainer appeared: “Due to circumstances beyond our control, we have lost our programming.”

Sometimes, the stations put up test patterns of stand-by signs. When the black entertainer finished his or her set, the feed from New York would be magically restored.

Ed Sullivan didn’t give a shit. If he wanted James Brown on his show (his “really big show”), then he’d book him. (Ed was especially fond of Brown.)

Ed Sullivan and James Brown

Here are some of the artists Ed booked, southern affiliates be damned:

Louis Armstrong, Harry Belafonte, James Brown, Cab Calloway, Diahann Carroll, Ray Charles, Chubby Checker, Nat “King” Cole, Sammy Davis Jr, Bo Diddley, Ella Fitzgerald, Lena Horne, The Jackson Five, Mahalia Jackson Gladys Knight, Sidney Poitier, Billy Preston, Smokey Robinson, Nina Simone, The Supremes, Tina Turner, Dionne Warwick, Ethel Waters, Flip Wilson and Stevie Wonder.

Eventually the walls came tumbling down. Down south, viewers began to hunger to see these great entertainers and the affiliates eventually caved.

Don’t believe me? Navigate your television to a Netflix documentary called Sunday Best, which tells the whole story.

So give Ed his due. In your memory, you think of him as comical, talentless man. But the evidence points to the mark he made on our culture. Among his many accomplishments, he stood up for Bob Dylan. He was overruled by the censor, but he was a man of principle. He may have had the personality of a tennis shoe, but he stood for something.

Whiz Kid

I used to go into a coma when Rolling Stone arrived in the mail. I started subscribing when the magazine was two years old and read it religiously. I wouldn’t  look up from those newsprint pages until I’d read pretty near everything.

Cameron Crowe

I think the magazine peaked in the early and mid-1970s. I remember a piece about a guy who was obsessed with meeting his hero, Gene Autry, former singing cowboy of the movies. And there was a great portrait of Sen. Sam Ervin, the country lawyer who led the Senate’s Watergate investigation. Then there was a marvelous book-length tick-tock about filming The Last Picture Show by the great Grover Lewis.

Wonderful storytelling — and it ranged over the culture. It wasn’t all about rock’n’roll music.

And then — suddenly — a new byline: Cameron Crowe. It didn’t take long for word to get out that he was a real kid, 15 years old — our age.

He thus became our role model. I started working full time for my local daily when I was 14 and stayed on the job until the newspaper folded a few years later.

As a young peach-fuzzed reporter, it was a struggle to be taken seriously. No matter what I did, I still looked my age. But I asked good questions (I think) and my sources soon began talking to me like I was an adult.

I imagined what it was like for Crowe. He was talking to the Allman Brothers and Joni Mitchell and the Eagles. I wanted to know his secret. They obviously took him seriously — the stories he wrote were brilliant. 

I was following rock stars on a much smaller scale. These backstage expeditions were in the company of my pal, Neil Sharrow, aka Birdman (sharrow = sparrow). He was much more savvy when it came ti talking to roadies and stage security.

We got into the dressing room for Yes and had a great chat with keyboard wizard Rick Wakeman. As we left, he said, “Best of British luck to you,” and that became a benediction I often use.

We also got to meet Chicago. I interviewed them later, extensively, for a national magazine, but that chat was set up by publicists. I had more fun hanging out with them in the parking lot when they were just breaking through to the mass audience.

And of course, I followed The Beach Boys around and interviewed them several times, and one afternoon, we were sharing backstage airspace with the Boys, the Eagles and Kansas.

Now, this was nothing like what Crowe was doing, but this was a side gig for me. I also had to be a college student and cover the environmental commission’s long running efforts to bring noise-abatement to the city. I spent a lot of time at city hall — more time than I spent on campus. I didn’t hang with Neil Young; I hung with the mayor, whose name was Hooker.

Of course I followed his work — Fast Times at Ridgemont High (first a book, then a film) , then his splendid films, Singles, Say Anything, Jerry Maguire  and, eventually, Almost Famous.

That was a nearly perfect movie — so well-written, so well-acted, and a story with the aroma of truth. That’s what it felt like to be a kid reporter, trying to stalk a rock star. It dislodged so many memories of my much-lower-scale life, and hulking brutes at the stage door coming between those rock stars and me.

I think I’ll put this on my tombstone: You’re not on the list.

All of these memories began to erupt when I got Crowe’s excellent new book, The Uncool (Avid Reader Press, $35). As he pages through his life, we find the roots of his Almost Famous stories, and we meet the real people behind the characters.

First among his cast of characters is his mother, Alice Crowe. I was also blessed with caring and supportive parents, so when he writes about Alice, I get a little misty. When he filmed Almost Famous, he wanted to keep the actors apart from their counterparts. But Alice ignored her son’s directive and became great friends with the sterling Frances McDormand, who played her.

Crowe is a master storyteller, no matter the medium. The book is peopled with Joni Mitchell, Tom Petty, Gregg Allman, the members of Led Zeppelin and a wonderful cast of supporting players at Rolling Stone. And of course, he writes about his mentor, Lester Bangs, who explained why they were both doomed to be the Uncool.

I inhaled the book and tried to slow down my reading as I got near the end. I wanted to make it last longer. After all, I’ve been reading Crowe and enjoying his work for 50 years.

He’s also done a book on his talks with master filmmaker Billy Wilder. For his next book, I hope he collects this great pieces he wrote for Rolling Stone back in the 1970s, with headnotes that describe his adventures in getting the story.

This is a tremendously entertaining book. I can’t be blamed for wanting more..

Trump Porn

I live with one of my adult sons and though he is in his early 20s, he’s never gotten past that adolescent stage in which a child’s sole purpose in life is to irritate his parent.

The Extortionist in Chief

In my case, he calls me all the things he knows that I hate. For example, he calls me Pig, though I am neurotically tidy. He calls me Racist, which I am not. Worst of all, he calls me a Trump Voter. 

I would rather vote for my cat’s litter box than vote for Donald Trump, but my offspring nonetheless rags me. (Too bad Carlos’s kitty toilet was not on the 2024 ballot; it has more intelligent contents than Trump’s so-called brain.)

My son accuses me of being fascinated with the former and current president. Horrified is probably more like it, I tell him. 

“Then why do you watch the news all the time?” he asks. “Why do you read so many books about this guy you profess to loathe?”

He calls it Trump Porn.

He is right about my reading habits. I’ve read a lot about Trump in the past decade, for the same reason that — despite our better judgment — we might occasionally sneak a peek at “Naked and Afraid” or “Keeping Up with the Kardashians.” We have to remind ourselves that such wretched things are possible.

I liked Bob Woodward’s three Trump books, particularly Peril, which he wrote with Robert Costa. I loved reading stories of how poorly Trump handled defeat. 

Let’s not forget Cassidy Hutchinson’s vivid description of the Trump-thrown hamburger and the ketchup dripping down a White House wall. (From her book Enough.)

Maggie Haberman’s Confidence Man was an excellent book that showed that Trump was born a liar and a cheat and has watered and manured those traits steadily throughout his life. 

I liked Jonathan Karl’s Betrayal, which told the story of what we thought was the end of Trump’s political career.

The fact that he is president again makes further reading of Trump Porn depressing on an epic scale. 

But that doesn’t mean we can easily turn away from this kind of porn addiction.

Consider Injustice, the new book by Carol Leonnig and Aaron C. Davis, both Pulitzer winners, both formerly of the Washington Post. This is a detailed account of the Department of Justice investigation into Trump’s role in the January 6 insurrection and in his mishandling-of-documents case.

You’ve got to admit: it’s amazing how that dark day in our history — January 6, 2021 — has been recast by Trump and some of his Republican pals in Congress. Despite the fact that police were assaulted, it’s been painted as a rosy day in the park.

Injustice makes me proud of the lawyers whose hard work built a brick-wall case against Trump — a case that will never be presented. 

It’s as if the Department of Justice is no more, having been largely dismantled and staffed with mouth-breathing Trump sycophants. He renamed the Department of Defense. Maybe he’ll rename Justice the Department That Lets Me Do Illegal Stuff.

This guy isn’t really president. He’s the extortionist-in-chief.

The subtitle of Injustice tells it all: “How Politics and Fear Vanquished America’s Justice Department.”

Special prosecutor Jack Smith is a central character in the book. At the moment, I can’t remember what Trump calls him. He probably uses his fall-back “radical left lunatic,” or calls him deranged. Instead, we see here a dogged and dedicated public servant, on the trail of the truth.

Jack Smith

He worked methodically and fairly to build a case.

There’s such a thing as too methodical, though, and a running theme of Injustice is that attorney general Merrick Garland’s tentative nature contributed to killing the case.

But like Smith, Garland wanted to do what was right — hard to do in a society where what is right doesn’t matter anymore.

What an old-fashioned concept — caring about truth and what’s right in the world.

Lord, I hope I live long enough to see this end.

For now, read this book and become enraged. Let’s all get angry and work to bring back those values of truth, integrity and honor.

Babs From Brooklyn

Perhaps it’s time for an intervention. After a lifetime of feelings ranging from indifference to outright loathing, I’ve decided that I was all wrong about Barbra Streisand. I have, at this late stage of life, become a fan.

This troubles friends and family. Has a space alien sucked my brain from my head? What has happened to change my feelings about this singer and actor I professed to despise? And if I’ve changed about Barbra Streisand, can a switcheroo on Neil Diamond be far behind?

My friends are so worried, but before they call the white coats to take me away, let us ponder the sitch.

Why those earlier feelings, I now wonder.

Barbra Streisand at 24 (her lucky number)

I always admired the Voice. Good Lord, she has a gift. That I always acknowledged.

And I had liked some of her films. The Way We Were set me sniffling in the darkness of the theater. And I thought she did a beautiful job directing and acting in Yentl and The Prince of Tides.

So again — why did I tell everyone I couldn’t stand her?

Maybe it was the song choices she made and the over-the-top show-biz posturing whenever I saw her perform.

Again I wonder: why those feelings?

I was raised on musical comedy. As a kid, my parents took me to the theater every two weeks during summers. We saw all of the summer-stock / road-company shows that the theater scene — such as it was in Fort Worth, Texas — could offer.

So I grew up well versed in the works of Rodgers and Hammerstein and Lerner and Lowe, as well as other Broadway gods. Though I no longer care for musical comedy, that aspect of my upbringing still reverberates through me.

Whenever I would sing around the house, Ex-Wife No. 2 would chime, “Showtunes!”

No matter what I would sing — even “Swing Low, Sweet Chariot” or “Masters of War” — it always came out sounding like a show tune.

But after Cream and Led Zeppelin and Black Sabbath hit my adolescent turntable, I put away those original-Broadway-cast albums and never looked back.

Streisand came to represent that unsubtle over-the-top stage belting to me.

There was another reason I grew to dislike her. It was that Monster Diva vibe I’d pick up now and then. I’ve always liked my artists humble, falsely or not.

Ex-Wife No. 1 and I had gone to see A Star is Born — which we quickly renamed A Star is Boring — when it hit theaters back in 1976.

I hated the movie as I hated most movies that portrayed the rock’n’roll business. I can’t think of a rock’n’roll movie that got it right until Almost Famous in 2000. Seeing Barbra and Kris Kristofferson as rock stars just didn’t do it for me. Despite the fact that the film was written by Joan Didion and John Gregory Dunne, I still thought the movie was a festering gob of whale vomit.

The clincher came during the credits. As we watched them roll, Ex-Wife No. 1 seized on the wardrobe credit: “Miss Streisand’s clothes … from her closet.”

My Ex scoffed loud enough to turn the heads of departing theater-goers. Thereafter, whenever we saw Barbra’s picture in the paper or saw her on TV, My Ex would snarl, “Miss Streisand’s clothes … from her closet.

So why, considering these feelings, did my mind seize on the idea of reading Barbra Streisand’s autobiography.?

When it was published two years ago, I was filled with the sudden and unexplained desire to read it — but for some reason didn’t actually pick it up until two weeks ago. 

Once in my presence I gorged on it — all 970 pages.

I was a glutton for the book, like Henry the Eighth gnawing on a greasy turkey leg.

Streisand’s a great storyteller who propels readers through the narrative … all 970 pages, as I say.

Thousand-page bios or memoirs are more appropriate terrain for books about Josef Stalin or other historic characters.

Click on the cover to order

But Streisand never hits a dull patch in her storytelling. If Plato was right about the unexamined life not being worth living, then Streisand has certainly lived a worthwhile existence.

My Name is Barbra (Viking, $50) examines nearly everything about her life and has successfully turned me around. I am now a fan.

I’ve begun hitting eBay hard for old Streisand vinyl. I’ve rewatched Yentl and am searching my streaming services for the films I’ve missed along the way. (I have no plans to see A Star is Boring again, however.) I need to find The Mirror Has Two Faces. She directed that one too, and co-stars with Jeff Bridges, who has moved into the top position as my favorite actor. (Following the death of the great Gene Hackman.)

Here are some random thoughts about the book:

  • What is it with her mother? No matter what she did, Streisand could not please her mother. To say Ma was stingy with praise is to understate a critical problem in her daughter’s life. I can’t recall her mother ever saying, “Barbra, you got a good voice.” Nothing! Mother might’ve been resentful of her daughter’s extreme talent.
  • The book serves many functions. It’s not just an autobiography, it’s also a manual on Yiddish terms and phrases. I love learning something new.
  • She’s modest. If it’s false modesty, so what? If I could sing like her, it’d be harder than hell to keep my ego in check. In my view, she does.
  • She brings up the “Miss Streisand’s clothes … from her closet” credit. It was the truth, but critics slammed her for the ego-centric feel of it. It hurt her. So now I feel guilty.
  • Fellow dudes: No matter how nice we are to our Beloveds, we will always pale next to James Brolin. Brolin, Streisand Husband No. 2, is one thoughtful and romantic motherfucker. I plan to keep this book handy to scan for romantic ideas.
  • Once, Jim Brolin was in bed with Streisand and in no hurry to sleep. He told her sleep was a waste because he didn’t want to miss a thing. Streisand told her songwriter friend Diane Warren about that and she used Brolin’s line to write “I Don’t Want to Miss a Thing,” a hit for Aerosmith. Brolin deserved a writer’s credit.
  • She loves dogs. She even cloned one.
  • Speaking of Brolins, James’s son Josh Brolin, that wonderful actor (see No Country for Old Men) also writes poetry Who knew? Seems like an interesting guy.
  • We learn a lot about her first marriage, to Elliott Gould (speaking of wonderful actors). It reminds me of Gould’s charisma. If you’ve never seen The Long Goodbye, go watch it right now. Then watch every other movie Elliott Gould has ever made.
  • She and Gould sound like great parents. Jason Gould is a lucky dude.
  • I love her rants about Donald Trump. She’s more eloquent in her disdain than most MSNBC pundits.
  • If she believes in a cause, she generously supports it.
  • Despite her talent and her perceived power, studios sometimes still say no to Streisand projects. She doesn’t always get what she wants, which is a shame because when she does get what she wants — see Yentl, The Prince of Tides, etc. — what she wants is spectacular. Do we need further proof that Hollywood is a sexist town?
  • She loves to eat and loves to talk about food. Reading this book made me hungry.
  • She is a national treasure.

Okay, so maybe that last one is a little corny. Bob Dylan means so much to me and I think of him the same way. We’re lucky to be around when great artists stalk the earth.

And speaking of lucky: I feel blessed that I have lived long enough for these two artists in their mid-eighties to finally record a duet. (To hear Streisand and Dylan sing “The Very Thought of You,” click here.)

I have no problem admitting my errors. I’ve done a 180 on Barbra Streisand and I’m so happy I didn’t take my indifference to the grave. So what if it ain’t rock’n’roll? I have room in my heart for all kinds of music, as long as it’s good.

As my Late Sainted Mother always said, “If we all liked the same thing, it’d be a pretty dull world.”

I can like the Ramones and Perry Como. And I can like Barbara Streisand and Daddy Longlegs.

In fact, Streisand takes us so deep into her world and her artistic choices and her hopes and dreams that I can no longer call her Miss Streisand. Henceforth, she’s my pal.

Meet my buddy, Babs from Brooklyn.

Stories He Can Tell

I’ve never been to a film festival, but I’ve read about 10-minute standing ovations at the end of a Cannes screening. 

The closest I came to anything like that was the night that Annie Hall opened in my hometown. There was an ass in every seat, no loudmouth back-talkers, and everyone laughed in the right places. Then, of course, the Standing O.

Click on the cover to order

It was one of the highlights of my movie-watching career.

Not every Woody Allen film has gotten that kind of reception. 

His humor and storytelling were briefly in planetary alignment with mass taste for a few years, but then he spiraled off to his own galaxy, making his quiet, esoteric films — some of which occasionally found a decent-sized audience (Hannah and Her Sisters, Crimes and Misdemeanors, Midnight in Paris, to name a few).

I’ve enjoyed more of his movies than I’ve disliked. That’s wrong. I don’t think I’ve disliked any of them, but now and then I find one a wee bit boring or self-indulgent.

I’ve always found Allen’s prose to be more consistent. 

He published three collections of his short stories and comic pieces in rapid succession — Getting Even (1971), Without Feathers (1975) and Side Effects (1980). He began publishing prose in the New Yorker in 1966 and kept up a pretty vigorous schedule of contributions. 

Some of these stories were the kind that made me laugh out loud. Some were honored with recognition that had before been lavished on Flannery O’Connor, Eudora Welty  and John Cheever. (Allen’s “The Kugelmass Episode” won the coveted O. Henry Award in 1978.)

He maintained a film-a-year schedule and still produced short stories — until his prose work slowed to a trickle, then stopped, in the 2010s.

Twenty-seven years after Side Effects, Allen published a collection called Mere Anarchy, but his prose output has ramped up in the last five years. First came Apropos of Nothing, his hilarious and touching autobiography, a collection called Zero Gravity and now, at 89, his first novel, What’s With Baum? (Post Hill Press, $28).

Certain doors are no longer open to Allen. He signed a deal with Amazon Studios but has still struggled to release his films. His previous big-time publishers (Random House, Little Brown) no longer publish his work, so he has aligned with Arcade and Post Hill Press, two smaller pubishing companies.

Woody Allen in Stardust Memories.

Too bad that his books and films are not getting the distribution he used to get. His work has not lost a step.

Reading What’s With Baum? Is like watching one of his films. It’s structured that way and has a plot and a narrative approach that lends itself to screen treatment.

Baum is a once-promising writer experiencing several varieties of writer’s block. His third marriage has come with a son who loathes Baum. The boy is poised for success, including magazine and television profiles, and with his new book being hailed as a work of genius. 

But Baum discovers a dirty little secret about the boy and the book and becomes, at least among his family and social set, the avatar of ethics.

It is a masterfully written book. Few storytellers have Woody Allen’s gifts. I hope he is able to continue sharing his stories.

Journey Through the Past

Truth is stranger than fiction, which is what makes fiction such a comfort.

We often turn to fiction to escape, but so many of the novels I read turn on tangents so close to the life I lead. I read the echoes of my existence in many of these stories. 

The Book of I by David Greig (Europa Editions, $24) is unlikely to remid you of your sputtering love life or your fellow proles dwelling in neighboring cubicles.

To start, the story takes place in 825. It may not look like it, but that’s a date — as in 825 A.D.

The main characters are a young monk, an aging Viking and a woman who makes mead that can change the course of history.

Since Grimur the Viking is a major character, you can expect a certain amount of pillaging and sword-wielding violence. 

Yet the book is funny. I might even venture to say hilarious.

Reading it, I was reminded of a Coen Brothers film. I remember sitting in a theater lo those many years ago, watching Blood Simple. That was the first Coen film and I knew nothing of them. How well I recall my reaction. There was violence, followed by humor. Then those elements merged. The audience was perplexed, to find itself laughing at brutality.

Click on the cover to order.

There’s a lot of violence in The Book of I, but much hilarity ensues. It’s an intoxicating blend, a work of deft writing. No surprise the author, David Grieg, is a playwright, a man aware of the power of words.

The story is so well told.

The island of I (I think we’re to pronounce it ee) is a bleak place off the coast of northern Scotland. Today known as Iona, it’s in the inner Hebrides, and has long been famous for its abbey. It’s a spiritual place, y’understand?

Brother Martin, one of our three protagonists, is loweest on the totem pole among the monks. 

When the Vikings arrive to do their pillaging, the monks are delighted, because they have been joyfully awaiting martyrdom. They get it, of course — the Vikings are nothing but thorough — killing all of the monks, save Brother Martin.

The Vikings don’t find and kill Martin because he has a supreme hiding place, lurking undernearth the rancid shit in the monk’s trough of excrement and urine.. 

While he hides there, Una, the mead-maker and beekeeper, is being assaulted for the last time by her husband. It’s the last time because Grimur the Viking happens upon the bickering couple and he severs the husband’s arms. However, Grimur is later knocked unconscious and his fellow Vikings bury him.

When the Vikings depart, the stench-covered Brother Martin happens upon the Grimur’s hastily-made burial spot — a hand reaching up throuhg the dirt is a dead giveaway — and digs him up.

David Greig

Now liberated from her brutal husband, Una joins Grimur and Brother Martin to and form an alliance and begin to rebuild.

The book hits that high note that connects comedy and tragedy — again, much like the Coen Brothers. 

Or maybe Coen Brother. Now that they are making films separately, we can see it’s Joel immersed in drama (he made The Tragedy of MacBeth) and Ethan who’s the funny one. He’s finished two entries in his Lesbian Trilogy (Drive-Away Dolls and Honey Don’t) and more fun no doubt awaits. The Book of I has that Ethan Coen tone.

Together, the Coens create an excellent blend of comedy and tragedy. This book matches that tone.

. . . . .

A couple of years ago, my sister-in-law had us all do the ancestry.com thing. My sibings and I all had a blend of Irish, Scottish and German blood.

But me? I had a whiff of Viking blood. 

How did that happen? I well recall the aphorism that motherhood is fact and fatherhood is speculation. 

Nonetheless, I am working to embrace my inner Viking and therefore award The Book of I my first Viking Seal of Approval.